Collections: Image Archive: Major Collections

Abbye A. Gorin Collection
(Collection 1)

The Abbye A. Gorin Collection includes photographs of people, city and country scenes, architecture, archaeological sites and pre-Columbian art in Spain, Mexico, Guatemala, Peru and the Museum of Mankind in England, taken from 1965-85. Gorin used two cameras in shooting the photographs in the collection: a Rolleiflex (purchased 1954) with a fixed 3.5/75mm lens, and a Leica M-3 (purchased 1963) with Leica Summicron 50mm, Summicron 35mm, and Elmarit 90mm Lenses. She printed with a Bessler 23C enlarger (purchased ca. 1960) with a Beslon 4.5/10mm and Leitz Focotar 4.5/50mm lenses. The majority of film was processed by Gorin.

The collection is inventoried in alphabetical order by country, date, city or historic site, and political subdivision. Each entry indicates the storage box number and the country and date of each grouping, followed by the total count of negatives and prints in the group. The first number in the column to the left is the item number of the entry (when two or more images are mounted together there is only one entry number). "N" represents the number of negatives in each entry (when possible two or three exposures of each view were made). Identification of the camera used is indicated by "R" for Rolleiflex which produces 2-1/4 x 2-1/4 negatives and "L" for Leica which produces 35mm negatives. "P" represents a print count. A notched negative usually indicates the negative printed. After the identifying numbers, each print is described.

The collection inventory contains 755 entries, referring to 1,760 negatives and 718 prints.

Representative images of Gorin's work in this collection

 

Collection Inventory

Black & White Negatives and Photographs
Tulane University Latin American Photographic Archive

Inventory Compiled by
Abbye A. Gorin, Ph.D.
architectural researcher-writer, photographer

Latin American Library
Tulane University Library
March 1996

 

Box No. 1 Costa Rica, August 1983 (N-48/P-10)

001/N-3R/P-1 Birri, Heredia: Escuela Alfredo Volio Jiménez, frontal view of the building with school children.
002/N-1R/P-1 Birri: Escuela Alfredo Volio Jiménez, Dr. Otto Olivera, Professor of Spanish, Tulane University, with the children.
003/N-4R/P-0 Birri: Escuela Alfredo Volio Jiménez, close-up views of the children and their teacher.
004/N-2R/P-0 Cartago, Cartago: Basílica de Cartago, Islamic design theme built on a Greek cross plan, wood structure. Cartago was the nation's first capital.
005/N-1R/P-0 Grecia, Alajuela: La Merced, gothic church, view of the facade.
006/N-2R/P-0 Heredia, Heredia: Church of Heredia, 18th century baroque church made of stone. Perspective view shows the street facade with square bell tower.
007/N-2R/P-0 Heredia: Church of Heredia, lateral view from rear of the church to the front showing the bell tower and buttresses.
008/N-2R/P-0 Heredia: Church of Heredia, detail of massive buttresses (earthquake construction).
009/N-2R/P-1 Heredia: Church of Heredia, detail of the street facade.
010/N-1R/P-1 Heredia: Police station.
011/N-9R/P-3 Irazú Volcano National Park, Cartago: Volcanic crater, altitude 11,000 feet. The park has five craters.
012/N-2R/P-0 Monteverde Cloud Forest, Puntarenas: Portrait, Gary Diller, guide.
013/N-1R/P-0 Monteverde Cloud Forest: Portrait, Gary Diller photographing an unusual moss-camouflaged grasshopper; other man, unidentified.
014/N-3R/P-0 Monteverde Cloud Forest: View of the landscape.
015/N-2R/P-1 San José, San José: Traveling companions, portrait of Dr. Otto Olivera and Ruth Olivera, curator of photographs, Tulane University Latin American Photographic Archive.
016/N-2R/P-0 San José Orosi, Cartago: Mission Franciscans, 1743. View of the restored mission from the front showing the surrounding low wall. Declared a national monument in 1920.
017/N-1R/P-0 San José Orosi: Mission Franciscans, lateral view of the building showing mission cane and tile roof design and simple columns supporting the overhang.
018/N-2R/P-0 Santa Elena (near Monteverde), Puntarenas: Small vernacular church.
019/N-4R/P-1 Ujarrás, Ujarrás: Nuestra Señora de la Limpia Concepción del Rescate de Ujarrás, small baroque church, constructed 1681-1693, abandoned 1833. Oldest remaining architectural work of the colonial period. The church was declared a national monument in 1920.
020/N-2R/P-1 Ujarrás: Nuestra Señora de la Limpia Concepción del Rescate de Ujarrás, detail of the facade.

Box No. 1 England, February 1977 (N-14/P-06)

021/N-2L/P-1 London: Central America, gold pendants, possible Chirique style ca. AD 1250-1550. Museum of Mankind (MOM), Division of the British Museum.
022/N-2L/P-1 London: Colombia, pendant in the form of an anthropomorphic figure cast in gold; Panama (possibly), ornament in the form of a human figure, cast in gold, ca. AD 500-1500, given by A. Naylor, Esq. 1928; and Peru, gold ornament made from hammered gold in the form of a llama, Inca ca. AD 1500, MOM.
023/N-4L/P-1 London: Copán, Honduras, cast of Stela H, AD 731, MOM.
024/N-2L/P-1 London: Mexico, Aztec, rock crystal skull, 15th century, MOM.
025/N-2L/P-1 London: Mexico, Aztec, mask, inner side carved in low relief, 1200-1520; presented by Alfred Percival Maudslay, Esq., MOM.
026/N-2L/P-1 London: Peru, Eten Chiclayo (Northern Peru) gold necklace, MOM.

Box No. 2 Guatemala, February 1974 (N-78/P-23)
cn=copy negative; dimensions in inches

027/N-2R/P-1 Antigua, Sacatepéquez: Church of Santa Clara, baroque, courtyard with fountain and small girl.
028/N-1R/P-0 Antigua: Urban view.
029/N-2R/P-0 Antigua: Arch of Santa Catalina.
030/N-2R/P-0 Antigua: Old University of San Carlos, view of the courtyard.
031/N-2R/P-1 Chichicastenago, Quiché: Colonial church (unidentified) with atrium.
032/N-2R/P-1 Chichicastenago: Musician in native dress playing primitive marimba [music is non-melodic built on a penatonic scale].
N-1-4x5cn 033/N-1R/P-1 San Antonio Palopó, Sololá: Portrait, small Indian girl standing in a stream probably playing-like washing clothes.
033/N-1-4x5cn 034/N-2R/P-1 San Antonio Palopó: Portrait, Indian woman and child.
035/N-1R/P-1 San Antonio Palopó: Portrait, Indian boy, playing in school yard. In Center for Latin American Studies, Tulane University brochure; The Hispanic Family in Louisiana Conference 16 & 17 April 1982, Loyola University brochure; Summer Teachers' Workshop in Mexico, Tulane University and the Universidad Iberoamericana brochure.
035/N-1-4x5cn 036/N-2R/P-0 San Antonio Palopó: Portrait, Indian woman weaving on back strap loom with baby on her back.
037/N-2R/P-1 San Antonio Palopó: Fishing boats.
038/N-2R/P-1 Tikal, Peten: Stela (unidentified), Museo Tikal.
039/N-1L/P-1 Tikal: Stela 4, Great Plaza, early classic possibly AD 386.
040/N-3L/P-1 Tikal: Stela 9, Great Plaza, early classic AD 475.
041/N-3R/P-1 Tikal: Stela 16, Tozzer Causeway, late classic.
042/N-3R/P-1 Tikal: Altar 5, Tozzer Causeway. 5-1/2' diameter, depicts two elaborately garbed persons conferring behind an altar piled with human femurs and a skull.
043/N-3R/P-1 Tikal: Temple I facing the Great Plaza.
043/N-3L
044/N-2R/P-1 Tikal: Temple II facing the Great Plaza; (35mm negative only) in background Temple III and Temple IV.
044/N-3L 045/N-3L/P-1 Tikal: Temple I, detail of summit. (Top)
045/N-3L/P-1 Tikal: Temple II, detail of summit. (Lower)
046/N-3L/P-1 Tikal: Central Acropolis and Temple V (in background), view from the summit of Temple I. (Top)
046/N-5L/P-1 Tikal: Central Acropolis, view from the Great Plaza. (Lower)
047/N-2L/P-0 Tikal: Central Acropolis, view from the Great Plaza showing a display of stelae.
048/N-2L/P-0 Tikal: Central Acropolis, view from the Great Plaza, detail of a stela in the foreground and two buildings in the background.
049/N-2L/P-0 Tikal: Central Acropolis (?), sculptured detail on an unidentified building.
050/N-3L/P-1 Tikal: North Acropolis, complex of buildings.
051/N-3L/P-1 Tikal: North Acropolis, mask, masonry and plaster.
052/N-3L/P-1 Tikal: Palace, central Acropolis area.
053/N-2R/P-1 Tikal: Temple IV. (Top)
053/N-2R/P-1 Tikal: Talud and tablero construction, Teotihuacan influence. (Lower)

Box No. 3 Mexico, November 1965 (N-30/P-14)

054/N-1R/P-1 Mexico City, Mexico: Representation of Tlalco (God of Rain), Tula, Museo Nacional de Antropología, Instituto Nacional de Antropología e Historia (INAH), Chapultepec Park (museum opened 17 September 1964).
055/N-3R/P-1 Mexico City: Huasteca culture, late period, Veracruz, INAH.
056/N-3R/P-1 Mexico City: Ometochtli (Two Rabbits), Veracruz, INAH.
057/N-1R/P-1 Mexico City: Huehueteoth (God of Fire), Teotihuacán, INAH.
058/N-3R/P-1 Mexico City: Modern sculpture, a conch shell by Iker Lassauri, INAH.
059/N-2R/P-1 Mexico City: Garden, giant catcus plant, INAH. In Mesomerican Ecology Institute, Tulane University brochure.
060/N-1R/P-1 Mexico City: Top section of ball game marker, stone, Teotihuacan, INAH.
061/N-1R/P-1 Mexico City: Representation of Tlaloc (God of Rain), brazier, Tajin, INAH.
062/N-1R/P-1 Mexico City: Modern ceiling light fixture in grand entry room of INAH (design based on Aztec model).
063/N-1R/P-0 Mexico City: Pre-Columbian sculpture (unidentified).
064/N-1R/P-0 Mexico City: Cut stone, exterior wall of INAH.
065/N-2R/P-1 Taxco, Morelos: Old man on steps in front of a church (unidentified).
066/N-1R/P-1 Taxco: Market, view 1.
067/N-1R/P-0 Taxco: Market, view 2.
068/N-4R/P-1 Taxco: Panoramic view of the city dominated by the principal church.
069/N-2R/P-1 Taxco: Cityscape, view 1.
070/N-2R/P-1 Taxco: Cityscape, view 2.

Box No. 4 Mexico, December 1970 (N-96/P-35)

071/N-2R/P-1 Atotonilco, Guanajuato: Church (unidentified).
072/N-3L/P-1 Dolores Hidalgo, Guanajuato.: Patio of the house of Padre Hidalgo.
073/N-3R/P-1 Mexico City, Mexico: Colonial mansion on the Reforma No. 1.
073/N-0/P-1 Mexico City: Colonial mansion on the Reforma No. 1, enlargement of a window detail.
074/N-3R/P-1 Mexico City: Colonial mansion on the Reforma No. 2.
074/N-0/P-1 Mexico City: Colonial mansion on the Reforma No. 2, enlargement of a window detail.
075/N-3R/P-3 Mexico City: Portrait, small girl with Christmas toys, 3 views.
076/N-7L/P-3 Mexico City: Christmas lights on the Reforma, 3 designs.
077/N-2R/P-1 Mexico City: Symbol of 19th olympic games, played in Mexico City in 1968.
078/N-23L/P-9 Mexico City: Modern sculpture, outdoor exhibit (unidentified); one painting (unidentified group of women). Museum of Modern Art, Chapultepec Park (Museum opened 20 September 1964).
079/N-1R/P-0 Querétaro, Querétaro: Aqueduct.
080/N-3R/P-1 San Miguel de Allende, Guanajuato: Modern sculpture, view of the city from the Art Institute (image dominated by large metal sculpture in the foreground).
081/N-2R/P-1 San Miguel de Allende: Convento de La Concepción, bell tower from the balcony of the cloister walk.
082/N-2L/P-1 San Miguel de Allende: Convento de La Concepción, detail of the fountain in the patio. (Top)
082/N-3R/P-1 San Miguel de Allende: Convento de La Concepción, courtyard. (Lower)
083/N-1R/P-1 San Miguel de Allende: Police station.
084/N-2R/P-1 San Miguel de Allende: Church (unidentified) exterior portal. In Summer Session in Mexico City 28 June-29 July 1982, Center for Latin American Studies and Summer School, Tulane University and Universidad Iberoamericana brochure.
084/N-1-4x5cn
085/N-1R/P-1 San Miguel de Allende: Urban view: narrow city street.
086/N-2R/-P-0 San Miguel de Allende: Urban view: the city square.
087/N-2L/P-0 San Miguel de Allende: Sculptured trees lining the city square.
088/N-1R/P-3 San Miguel de Allende: Urban views (3): balconies and doorways, cobblestone hilly street, public building wall.
088/N-5L
089/N-5R/P-3 San Miguel de Allende: Urban views: balconies and doorways, public building wall and relief sculptures from the Art Institute.
089/N-2L
O89/N-1-4x5cn
090/N-2R/P-0 San Miguel de Allende: Architectural details (2) from a residence.
091/N-2R/P-0 San Miguel de Allende: Modern painting (unidentified), children inside a chest peeking out.
092/N-4L/P-0 San Miguel de Allende: Balcony detail.
093/N-2L/P-0 San Miguel de Allende or Querétaro: Church (unidentified) with retablo facade.
094/N-2L/P-0 San Miguel de Allende or Querétaro: Bridge with medieval style buildings designed with crenelation along the parapet.

Box No. 5 Mexico, December 1971 (N-72/P-28)

095/N-2R/P-1 Chichén Itzá, Yucatán: Temple of the Tigers, detail of the lower sanctuary. (Top)
095/N-3R/P-1 Chichén Itzá: Temple of the Tigers, view of the lower sanctuary opening on to the square. (Lower)
096/N-3L/P-1 Chichén Itzá: Temple of the Tigers, the sanctuary overlooking the ball court. (Top)
096/N-1R/P-1 Chichén Itzá: Ball Court (principal) and North Temple, view from the summit of the Temple of the Tigers. (Lower)
097/N-2L/P-0 Chichén Itzá: Ball Court, North Temple, view down the ball court at ground level.
098/N-2L/P-1 Chichén Itzá: Ball Court, stone ring. (Top)
098/N-1R/P-1 Chichén Itzá: Ball Court, low relief on a retaining wall. (Lower)
099/N-1R/P-1 Chichén Itzá: Castillo (castle).
100/N-1R/P-0 Chichén Itzá: Castillo, sacred jaguar in the inner pyramid.
101/N-3L/P-1 Chichén Itzá: Tzompantli (skull rack).
102/N-2R/P-1 Chichén Itzá: Temple of the Warriors, Chac-Mool. (Top)
102/N-1R/P-1 Chichén Itzá: Temple of the Warriors, plumed serpent and standard bearer at the top of the staircase leading to the sanctuary. (Lower)
103/N-1R/P-1 Chichén Itzá: Temple of the Warriors, wall relief. (Top)
103/N-2L/P-0
103/N-1R/P-1 Chichén Itzá: Platform of the Eagles, bas relief of a jaguar devouring a heart. (Lower)
104/N-3R/P-1 Chichén Itzá: Red House, rear view (small ball court exists between the trees and the rear of the building). (Top)
104/N-3L/P-1 Chichén Itzá: Red House, front view. (Lower)
105/N-3L/P-1 Chichén Itzá: Caracol (observatory), view 1. (Lower L) 105/N-2L/P-1 Chichén Itzá: Caracol, section of an inner wall. (Top R)
105/N-2R/P-1 Chichén Itzá: Caracol, view 2. (Lower R)
106/N-3R/P-1 Chichén Itzá: Iglesia (church), view 1. (Top)
106/N-2R/P-0 Chichén Itzá: Iglesia, view 2.
106/N-3R/P-1 Chichen Itza: Nunnery. (Lower)
107/N-2L/P-1 Chichén Itzá: Portrait, S. Steven Gorin, engineer, standing in an archway in Old Chichén.
108/N-3L/P-0 Chichén Itzá: Partly restored temple (unidentified).
109/N-3L/P-0 Chichén Itzá: Ruins (unidentified).
110/N-2L/P-1 Dzibilchaltún (near Merida), Yucatan: Support stone (reused stele) unearthed in a partly excavated mound.
111/N-2R/P-1 Dzibilchaltún: Temple of the Seven Dolls. (Top)
111/N-2R/P-1 Dzibilchaltún: Temple of the Seven Dolls, view from a front square window; stele in the background. (Lower)
112/N-2R/P-1 Dzibilchaltún: Restored structure (unidentified) near the entrance to the archaeological zone.
113/N-2R/P-1 Kabah, Yucatán: Casa No. 2. (Top)
113/N-2R/P-1 Kabah: Cooz-Poop (Palace of the Mask). (Lower)
114/N-1R/P-1 Kabah: Triumphal Arch.
115/N-2L/P-1 Kabah (near): Vernacular housing. (11" h x 14" w in Photographic Archive FLAT FILE AA Gorin Coll.)
116/N-2L/P-0 Unidentified location: Unidentified row of glyphs.

Box No. 6 Mexico, December 1971 continued (N-35/P-13)

117/N-1L/P-1 Tulum, Quintana Roo: Aerial view of the city, Maya, late post-classic, AD 1200-1550(?).
118/N-4L/P-0 Tulum: Coast line view.
119/N-3R/P-1 Tulum: Castillo, facade.
120/N-3R/P-1 Tulum: Castillo, rear view.
121/N-3R/P-1 Tulum: Entrance through the wall that bounds the ceremonial center temple at the southwest corner of the inner precinct.
122/N-1R/P-1 Tulum: Temple, southeast corner of the inner precinct.
123/N-2R/P-1 Tulum: Temple of the Descending God. (Top)
123/N-2R/P-1 Tulum: Temple of the Descending God, detail of the god figure over the doorway. (Lower)
123/N-3L 124/N-2R/P-1 Tulum: Small structure in front of the Castillo. (Top)
124/N-2L/P-1 Tulum: Palace in decay. (Lower)
125/N-2L/P-1 Tulum: Palace. (Top)
125/N-3L/P-1 Tulum: Palace, detail of the figure over center doorway. (Lower)
126/N-2L/P-1 Tulum: Temple of the Frescos.
127/N-2R/P-1 Tulum: Small temple on the elevation beside the sea cliffs.

Box No. 7 Mexico, December 1971 continued (N-53/P-15)

128/N-3R/P-1 Uxmal, Yucatán: Pyramid of the Magician. (Top)
128/N-3L/P-1 Uxmal: Pyramid of the Magician, west staircase bordered by a mask of Chac. (Lower L)
128/N-4R/P-1 Uxmal: Pyramid of the Magician, east staircase leading to the upper temple. (Lower R)
129/N-3L/P-0 Uxmal: Pyramid of the Magician, view of the summit via the monumental stairway.
129/N-1R/P-0
130/N-3R/P-1 Uxmal: Quadrilateral of the Nunnery. (Top)
130/N-2R/P-1 Uxmal: Nunnery, detail of the corbel arch entry to the patio. (Lower)
131/N-3R/P-1 Uxmal: Nunnery, western palace. (Top)
131/N-3R/P-1 Uxmal: Nunnery, eastern palace. (Lower)
132/N-3L/P-1 Uxmal: Nunnery, western palace, architectural detail, Pise hut with thatch roof and square door. (L)
132/N-3L/P-1 Uxmal: Nunnery, western palace, facade detail, figure of guardian armed with cudgel [rare example of Puuc statuary]. (Top R)
132/N-3L/P-1 Uxmal: Nunnery, western palace, facade detail of a statue protected by a (stone) canopy. (Lower R)
133/N-3L/P-0 Uxmal: Nunnery, western palace, facade detail, abstract decorative stone sculpture [may suggest tail of a dragon in context with unphotographed portion of the total sculptural work, see Henri Stierlin, Living Architecture: Mayan, London: Oldbourne Book Co. Ltd., p. 85].
134/N-3R/P-1 Uxmal: Nunnery, section of northwest facade.
135/N-3L/P-1 Uxmal: House of the Tortoises, architectural detail of decoration, tortoises in stone. (Top)
136/N-2R/P-1 Uxmal: House of the Tortoises. (Lower)
137/N-2R/P-1 Uxmal: Quadrilateral of the Doves. (Top)
137/N-3R/P-1 Uxmal: Palace of the Governor. (Lower)
138/N-3L/P-0 Uxmal: Corbel arch, unrestored building.

Box No. 7 Mexico, April 1975 (N-75/P-21)

139/N-2R/P-0 Cuernavaca, Morelos: Garden of the hotel Las Mañanitas.
140/N-3L/P-1 Mexico City, Mexico: Tlaloc (God of Rain), Museo Nacional de Antropología, Instituto Nacional de Antropología e Historia (INAH).
141/N-1L/P-1 Mexico City: Standing male figure, Huasteca culture, INAH.
142/N-4L/P-1 Mexico City: Luchador (wrestler), Olmec, protoclassic, 66m h, Veracruz, INAH.
143/N-2L/P-1 Mexico City: Standing figure, male(?), idea of life and death, Naranjo culture, post classic, Veracruz, INAH.
144/N-2L/P-1 Mexico City: Young male adolescent with deformed head; front view of elaborate relief designs on body, may represent tattooing, Huasteca, San Luis Potosí, INAH (L).
144/N-2L/P-1 Mexico City: Young male adolescent, back view, INAH (R).
145/N-2L/P-1 Mexico City: Colossal stone head, Olmec, San Lorenzo, Veracruz, INAH.
146/N-2L/P-1 Mexico City: God with mouth-mask of broad-billed bird; Temple of 7 Deer, Monte Albán, INAH.
147/N-1R/P-1 Mexico City: Polychrome figure of a tiger or an urn representing a jaguar; 3' h, Monte Albán, INAH.
148/N-1L/P-0 Mexico City: Seated figure, male(?), (unidentified), Olmec, INAH.
149/N-2L/P-0 Mexico City: Large sculptured stylized god-like figure (unidentified), INAH.
150/N-2L/P-0 Mexico City: Ceremonial knife (unidentified), INAH.
151/N-2L/P-0 Mexico City: Adolescent head (unidentified), stone, INAH.
152/N-2L/P-0 Mexico City: Seated man with a beard (unidentified), INAH.
153/N-1L/P-0 Mexico City: Three figures (unidentified), large figure has a skeleton-like face, INAH.
154/N-2L/P-0 Teotihuacán, Mexico: Palace of the Quetzal, inner courtyard.
155/N-2R/P-1 Teotihuacán: Palace of the Quetzal, a square pillar decorated in relief of a bird encrusted with obsidian disks, late Pre-classic, 150-250 AD.
156/N-2R/P-1 Teotihuacán: Temple of Quetzalcoatl, detail of sculptured stone heads.
157/N-2R/P-1 Teotihuacán: Temple of Quetzalcoatl, perspective of monumental stairway decorated with stone sculpture.
158/N-2L/P-0 Teotihuacán: Pyramid of the Moon from the Avenue of the Dead.
159/N-2L/P-0 Teotihuacán: View down the Avenue of the Dead from Pyramid of the Moon.
160/N-2L/P-0 Teotihuacán: Pyramid (unidentified) construction detail.
161/N-2L/P-0 Teotihuacán: Detail of steps (unidentified building).
162/N-2L/P-0 Teotihuacán: Tenon head (unidentified building).
163/N-2L/P-0 Teotihuacán: Talud and tablero construction (unidentified building).
164/N-2L/P-0 Teotihuacán: Stone sculpture in a field (unidentified).
165/N-2R/P-1 Tula, Hidalgo: Temple of Tlahuizcalpantecuhtli, crowned with atlantes, Toltec, early post-classic, 900-1150 AD.
165/N/2L/P-0 166/N-2R/P-1 Tula: Temple of Tlahuizcalpantecuhtli, front view of an atlas (Left). In the Tulane Latin American Library booklet.
166/N-2R/P-1 Tula: Temple of Tlahuizcalpantecuhtli, rear view of an atlas. (Right)
167/N-2R/P-1 Tula: Temple of Tlahuizcalpantecuhtli, detail of a sculptured stone frieze; pyramid wall reliefs: jaguars, pumas, eagles, and vultures holding human hearts in their claws.
168/N-2R/P-0 Tula: Detail of a sculptured stone frieze (unidentified building).
169/N-2R/P-1 Xochicalco (near Cuernavaca), Morelos: Ball Court.
170/N-2R/P-1 Xochicalco: Pyramid of the Plumed Serpents, detail of lower right corner. (Top)
170/N-2R/P-1 Xochicalco: Pyramid of the Plumed Serpents, lateral view. (Lower)
171/N-2R/P-1 Xochicalco: Pyramid of the Plumed Serpents, detail of the lower left corner. (Top)
171/N-2R/P-1 Xochicalco: Pyramid of the Plumed Serpents, front view. (Lower)

Box No. 8 Mexico, January 1976 (N-74/P-17)

172/N-2R/P-1 Edzna, Campeche: Four story pyramid, Maya, late classic, AD 600-900.
173/N-2R/P-0 Edzna: Pyramid with monumental stairway, partly reconstructed roof.
174/N-3R/P-1 Palenque, Chiapas: Temple of the Inscriptions.
175/N-6R/P-1 Palenque: Palace complex, panoramic view.
176/N-3R/P-1 Palenque: Palace, east patio.
177/N-3R/P-1 Palenque: Palace, detail of sculptured slabs, east patio.
178/N-2R/P-1 Palenque: Palace, view of corbel arch construction, east wall.
179/N-3R/P-1 Palenque: Patio of the Tower.
180/N-2R/P-1 Palenque: Temple of the Sun.
181/N-3R/P-1 Palenque: Temple of the Cross.
182/N-3R/P-1 Palenque: Temple of the Foliated Cross.
183/N-3R/P-1 Palenque: View from the Tower, Temple of the Count and the north group.
184/N-3R/P-1 Palenque: Temple of the Count.
185/N-3R/P-1 Palenque: View of the North Group from Temple of the Count.
186/N-3R/P-1 Palenque: Detail of a North Group building.
187/N-1R/P-0 Palenque (near the site): Portrait, S. Steven Gorin, retracing the trail of Catherwood and Stevens.
188/N-3R/P-0 Palenque (near the site): Portrait, A. Gorin, on the Catherwood and Stevens trail.
189/N-3R/P-0 Palenque (near the site): Partly exposed structure on the Catherwood and Stevens trail.
190/N-6R/P-1 Sayil, Yucatán: Palace, front, view 1. (Top)
190/N-3R/P-1 Sayil: Palace, front, perspective showing partial reconstruction, view 2. (Lower)
191/N-3L/P-1 Sayil: Palace facade, architectural detail over a doorway, god descending between the mouths of two serpents. (Top)
191/N-3L/P-1 Sayil: Palace facade, architectural detail of a stone mask over simple Doric-type columns. (Middle)
191/N-2L/P-1 Sayil: Palace facade, architectural detail of Chaac, ground floor corner. (Lower)
192/N-3L/P-0 Sayil: El Mirador, structure partly uncovered and restored.
193/N-3L/P-0 Sayil: Partly exposed structure buried under thick jungle vegetation.

Box No. 9 Mexico, August 1979 (N-134/P-65)

194/N-3R/P-1 Cuilapan (four miles from Oaxaca), Oaxaca: Colonial church, facade and open air chapel, Dominican, started in 1555.
195/N-2L/P-1 Cuilapan: Church, view of the surviving main aisle, side aisle, and dome rising in the background.
196/N-2L/P-1 Cuilapan: Church, facade, stone sculptured detail over the large center doorway. Cut stone putti (angel or cherub head with wings) appears in the capital of the pilaster in the lower right.
197/N-2L/P-1 Cuilapan: Church, facade, stone pilaster with decorative cut stone capital.
198/N-2L/P-1 Cuilapan: Church, one of two turret-like bell towers.
199/N-1R/P-1 Cuilapan: Church, view showing arches to the chapel (L) and entryway into the structure.
200/N-3R/P-1 Cuilapan: Church, lateral view showing classical designed entryway.
201/N-2R/P-1 Cuilapan: Church, view from the courtyard of the cloiser.
202/N-1R/P-1 Cuilapan: Church, ground level cloister walk showing colonial wall painting.
203/N-2R/P-1 Cuilapan: Church, view of the dome from the second floor cloister walk.
204/N-1R/P-1 Dainzú, Oaxaca: Entryway to a tomb decorated with a feline head.
205/N-3L/P-1 Dainzú: Ball court and panoramic view of the landscape.
206/N-3L/P-1 Dainzú: Principle building; wall of sculpture at ground level.
207/N-2L/P-1 Dainzú: Wall of sculpture, detail of bas-relief stone work, view 1.
208/N-2L/P-2 Dainzú: Wall of sculpture, detail of bas-relief stone work, view 2.
209/N-2L/P-1 Dainzú: Wall of sculpture, detail of bas-relief stone work, view 3.
210/N-4R/P-1 Lambityeco, Oaxaca: Large decorative mask.
211/N-2R/P-1 Lambityeco: Entryway to a tomb or the base of the largest pyramid, decorated with two carved masks.
212/N-2R/P-1 Lambityeco: Excavated room with decorative panels.
213/N-2R/P-2 Lambityeco: Decorative panel, male figures in a swimming attitude.
214/N-1R/P-1 Lambityeco: Entrance to a tomb.
Lambityeco: Clay figures, see Oaxaca 263 and 264.
215/N-2R/P-1 Mitla, Oaxaca: Colonial church, lateral view, and gateway.
216/N-3R/P-1 Mitla: Colonial church group, pre-Columbian stone mosaics in the wall of the central patio.
217/N-2R/P-1 Mitla: Painting on a lintel, central patio of the church group.
218/N-2R/P-1 Mitla: Hall of Columns Group E, exterior fretted decorations.
219/N-2R/P-1 Mitla: Hall of Columns, exterior walls.
220/N-2R/P-1 Mitla: Hall of Columns, facade and remains of adoratorio (altar) in the center of the patio; domes and tower of the colonial church rise in the background.
221/N-2L/P-1 Mitla: Hall of Columns, interior walls of an inner patio.
222/N-2L/P-1 Mitla: Hall of Columns, architectural detail in a room off of inner patio.
223/N-2R/P-1 Mitla: Panoramic view of the ruins and the landscape from across the patio of Group E.
224/N-2R/P-1 Mitla: Group F, principle building showing domes and tower of the colonial church.
225/N-2L/P-1 Mitla: Principle building, Group F, showing the entrance to a subterranean room.
226/N-2L/P-1 Mitla: Structure across the patio from the principle building of Group F.
227/N-3R/P-1 Monte Albán, Oaxaca: Portrait, Abbye A. Gorin, by S. Steven Gorin.
228/N-2L/P-1 Monte Albán: Panoramic view of the Valley of Oaxaca and the mountain mesa location of the archaeological site.
229/N-1R/P-1 Monte Albán: Mound X overlooking the Valley of Oaxaca near the entry to the archeological zone.
230/N-2R/P-1 Monte Albán: South Platform showing monumental stairway or spectator seating overlooking the Grand Plaza. For site plan and specific location of buildings see John Paddock, editor, Ancient Oaxaca, Stanford, CA: Stanford University Press, 1970, p. 162.
231/N-3R/P-1 Monte Albán: Mound H, center of Great Plaza; Mound J far left end of H.
232/N-3L/P-1 Monte Albán: Mound H, detail view of from the Great Plaza.
233/N-3R/P-1 Monte Albán: Mound J, right, and stairway of South Platform, left, Central Plaza.
234/N-3R/P-1 Monte Albán: Stelae 1-4, construction stone of South Platform near Mound Q.
235/N-1R/P-1 Monte Albán: Mound J, Observatory, southeast corner.
236/N-2R/P-2 Monte Albán: Mound J, detail view showing the passage or tunnel through the pointed rear section of the building.
237/N-3R/P-1 Monte Albán: System M, view from the top of Mound J.
238/N-3R/P-1 Monte Albán: Stele used as a corner stone in the principle building of System M, located at the corner near the Danzantes (dancers) Gallery (bas-relief carved stones).
239/N-3R/P-1 Monte Albán: Stele 6. Right, man with arm bound behind him; upper left, possible jaguar head; located near the front of System M.
240/N-3R/P-1 Monte Albán: Danzantes Mound.
241/N-1R/P-1 Monte Albán: Danzantes Mound, detail.
242/N-2R/P-1 Monte Albán: Danzantes Gallery; portrait, S. Steven Gorin in the center of the gallery; located between System M in the background and the Danzantes Mound.
243/N-3L/P-1 Monte Albán: Danzante carved in horizontal position or swimming attitude.
244/N-2L/P-1 Monte Albán: Danzante carved in sitting attitude.
245/N-3R/P-1 Monte Albán: Danzantes (2) carved in a dancing attitude, view 1.
246/N-3R/P-2 Monte Albán: Danzantes (2) carved in dancing attitudes, view 2.
247/N-2R/P-1 Monte Albán: Danzante carved in dancing attitude.
248/N-3R/P-1 Monte Albán: View of System IV looking from south to north.
249/N-3R/P-2 Monte Albán: North Platform, facade showing monumental stairway; stele 9 in the foreground; right, North Barrier Mound. (2nd photograph, a closer view)
250/N-2L/P-1 Monte Albán: North Barrier Mound, detail showing curved wall construction and entry to a small room with stone carved lintel.
251/N-2L/P-1 Monte Albán: Detail of stone lintel over the doorway to a small room, North Barrier Mound.
252/N-2L/P-1 Monte Albán: Stele 9, carved on all sides.
253/N-2L/P-1 Monte Albán: Temple of 7 Deer, stone lintel.

Box No. 10 Mexico, August 1979 (N-79/P-30)

254/N-2L/P-1 Oaxaca, Oaxaca: City of Oaxaca, panoramic view dominated by the church of Santo Domingo de Oaxaca, 16th century.
255/N-3L/P-1 Oaxaca: Church of Santo Domingo de Oaxaca and Regional Oaxaca Museum, view of the Baroque retalbo facade and square towers, renaissance-like mirror image windows in each tower. The museum is entered through plain arches on left, and is the second most important museum in Mexico, after INAH.
256/N-2L/P-1 Oaxaca: Church of Santo Domingo, detail of entry way showing over-sized doors, classical styled pilasters, and decorated putti frieze.
257/N-2L/P-1 Oaxaca: Church of Santo Domingo, retablo facade detail showing Dominican saints in the niches.
258/N-3L/P-1 Oaxaca: Church of Santo Domingo sagrado (side chapel) showing decorative doorway in stone.
259/N-3R/P-1 Oaxaca: Church of Santo Domingo, twin towers from the cloister walk as viewed from the second floor level.
260/N-3L/P-1 Oaxaca: Basilica de la Soledad, clock.
261/N-3R/P-1 Oaxaca: Basilica de la Soledad, retablo facade with renaissance-like elements.
262/N-2R/P-1 Oaxaca: Basilica de la Soledad, lateral doorway decorated in classical style, late 17th century.
263/N-1R/P-1 Oaxaca: Two clay figures from Tomb 6, Lambityeco, Regional Oaxaca Museum.
264/N-1R/P-1 Oaxaca: Clay figure from Tomb 6, Lambityeco, Regional Oaxaca Museum.
265/N-2R/P-0 Oaxaca: Pre-Columbian ornaments (unidentified), from the area (?), Regional Oaxaca Museum.
266/N-12R/P-1 San Bartolo de Coyotepec, Oaxaca: Doña Rosa, noted potter of black semi-gloss pottery.
267/N-2R/P-1 Yagul, Oaxaca: Ball court.
268/N-2R/P-1 Yagul: Ball court with panoramic view of landscape in the background.
269/N-2R/P-1 Yagul: Building 1-N, mosaic panel on the rear wall.
270/N-1R/P-1 Yagul: Decorative mosaic entrance to a tomb.
271/N-3R/P-1 Yanhuitlan, Oaxaca: Colonial church, facade and lateral elevation showing buttress system.
272/N-3L/P-1 Yanhuitlan: Church, bell tower detail.
273/N-2L/P-1 Yanhuitlan: Church, retablo facade detail.
274/N-3R/P-1 Yanhuitlan: Church, lateral view showing stylized Gothic clerestory windows and buttress.
275/N-3L/P-1 Yanhuitlan: Church, window detail showing remains of Gothic tracery design.
276/N-2L/P-1 Yanhuitlan: Church, lateral elevation.
277/N-3R/P-1 Yanhuitlan: Church, rear view showing the curved apse wall.
278/N-3R/P-1 Yanhuitlan: Church, lateral view showing decorative doorway, flying buttress, and clerestory windows.
279/N-2L/P-1 Yanhuitlan: Church, apse view showing walled church yard, entry gate, and massive buttress.
280/N-3R/P-1 Yanhuitlan: Church, cloister.
281/N-3R/P-1 Yanhuitlan: Church, cloister shown in relation to the bell tower and church building.
282/N-2L/P-2 Yanhuitlan: Church, interior view of the cloister walk showing ceiling vaulting and wall art decoration. (2nd photograph printed from slightly different perspective)
283/N-1R/P-1 Yanhuitlan: Church, convent stairwell and window.

Box No. 10 Mexico, June and July 1982 (N-90/P-03)

284/N-2L/P-1 Chalcatzingo, Morelos: Olmec site in origin, bas-relief carved on living rock of the mountain (boulder), 9' h x 10'-8" w. This carving is the most complex theme of 10 rock carvings, Rain God seated with complementary motifs. See Carlo T.E. Gay, Chalcacingo, Portland, OR: International Scholarly Book Services Inc., 1972 and George Kubler, The Art and Architecture of Ancient Mexico, 2nd edition, Penguin Books, 1975, p. 72.
285/N-3L/P-1 Chalcatzingo: Bas-relief carved on rock, human figure with serpent.
286/N-3L/P-0 Chalcatzingo: Rock art detail.
287/N-2L/P-0 Chalcatzingo: Rock art detail.
288/N-2L/P-0 Chalcatzingo: Rock art detail.
289/N-6L/P-1 Chalcatzingo (near the site): Church (unidentified), vernacular baroque, view of the retablo facade and bell tower.
290/N-2L/P-0 Chalcatzingo: Detail of the church's retablo facade, top tier.
291/N-2L/P-0 Chalcatzingo: Detail of the church's retablo facade, second tier.
292/N-2L/P-0 Chalcatzingo: Perspective view of the facade showing the sagrado.
293/N-2L/P-0 Chalcatzingo: Vernacular architectural form, probably a storage bin, view 1.
294/N-2L/P-0 Chalcatzingo: Vernacular architectural form, probably a storage bin, view 2.
295/N-3L/P-0 Mexico City, Mexico: Chapultepec Palace also called El Castillo, octagon shaped fountain with modern sculpture of a grasshopper.
296/N-3L/P-0 Mexico City: Pre-Columbian stone sculpture erected on the grounds of the Museo Nacional de Antropología, Instituto Nacional de Antropología e Historia (INAH).
297/N-4L/P-0 Mexico City: INAH, view of floor to ceiling fountain sculpture in the central patio.
298/N-2L/P-0 Mexico City: Chalchiutlicoe, goddess of water, stone, 3.20m h, Classic Teotihuacán III, INAH.
299/N-2L/P-0 Mexico City: Anthropomorphic head, stone (unidentified), INAH.
300/N-2L/P-0 Mexico City: Large stone sculpture (unidentified), INAH.
301/N-2L/P-0 Mexico City: Large stone sculpture (unidentified), Mayan, INAH.
302/N-3L/P-0 Mexico City: La Basílica de la Virgen de Guadalupe, modern design, NE of the city in the suburb of Villa Madero. Location of the famous painting of the Virgen de Guadalupe which at the time crowds of people viewed from a flat moving conveyor beltway.
303/N-3L/P-0 Mexico City: La Basílica de la Virgen de Guadalupe, colonial baroque church, facade view; building closed for restoration.
304/N-3L/P-0 Mexico City: La Basílica de la Virgen de Guadalupe, baroque retablo facade.
305/N-2L/P-0 Mexico City: La Basílica de la Virgen de Guadalupe, facade, colonial baroque circular chapel.
306/N-2L/P-0 Mexico City: La Basílica de la Virgen de Guadalupe, details of the upper section of the baroque chapel facade.
307/N-3L/P-0 Mexico City: La Basílica de la Virgen de Guadalupe, perspective view of the baroque facade showing the bell tower, dome, and chapel (far right).
308/N-2L/P-0 Mexico City: La Basílica de la Virgen de Guadalupe, outdoor sculpture of the virgen standing on half-moon with the points upward supported by a putti.
309/N-3L/P-0 Mexico City: Portrait, retired orchestra leader-trumpet player (name ?) who rented rooms in his international style home to students.
310/N-3L/P-0 Mexico City: Portrait, Gilberto, student, playing a guitar.
311/N-3L/P-0 Tepotzotlán, Mexico: Convento de Tepotzotlán, view from the atrium.
312/N-4L/P-0 Tepotzotlán: Convento de Tepotzotlán, retablo facade.
313/N-2L/P-0 Tepotzotlán: Convento de Tepotzotlán, detail of the retablo facade.
314/N-2L/P-0 Tepotzotlán: Convento de Tepotzotlán, towers and one of many heavy buttresses.
315/N-3L/P-0 Tepotzotlán: Convento de Tepotzotlán, detail of telescopic dome with buttressing.
316/N-2L/P-0 Tepotzotlán: Convento de Tepotzotlán, patio fountain, dated 1740.
317/N-2L/P-0 Tepotzotlán: Convento de Tepotzotlán, atrium cross.
318/N-2L/P-0 Tepotzotlán: Hostería (inn).

Box No. 11 Peru, April 1978 (N-115/P-37)
See Box No. 19 for 319, 321, 329

319/N-4L/P-1 Cuzco, Cuzco: Portraits, Julia Chambi and brother, photographers; image made in the studio of their father, Martín Chambi who worked in this studio from 1925-1965. His camera can be seen in the background.
320/N-7L/P-1 Cuzco: Portrait, Amílcar Salomón Zorrilla, b. 1925, historical painter (mural size portraits of Incas) as well as interpreter of contemporary indigenous people; portrait made in Salomon studio.
321/N-3R/P-1 Cuzco: Portrait, Giorgina de Mendivil, folk artist, photograph made in her studio.
322/N-3R/P-1 Cuzco: Coricancha (Temple of the Sun). In New Orleans Museum of Art (NOMA) supplement to traveling Gold of El Dorado show, January 1979. See E. George Squier (19th century traveler), Peru: Incidents of Travel and Exploration in the Land of the Incas, NY: Harper & Brothers, Publishers, 1877. Reprint 1973, p. 443.
323/N-2/P-1 Cuzco: Portrait, A. Gorin inside the curved wall of the Coricancha by S. Gorin.
324/N-2/P-1 Cuzco (near): Portrait, Quechua girl and baby. In NOMA supplement to traveling Gold of El Dorado show, January 1979.
325/N-3R/P-1 Cuzco (near): Portrait, Quechua boy.
326/N-3L/P-0 Lima, Lima: Portrait, Dra. Klein, Peru, b. Germany, pediatrician; photograph made in her apartment. Dra. Klein, winner 1979 Contemporary Photography in Louisiana II.
327/N-3L/P-0 Lima: Portrait, Dra. Eva Klein de Zinghelboim, Peru, b. Germany, endocrinologist and pediatrician (daughter of Dra. Klein in 326); photograph made in her mother's apartment.
328/N-3L/P-0 Lima: Portraits, Ester and Raúl Zinghelboim, b. Peru; children of Dra. Eva Klein de Zinghelboim.
329/N-3R/P-1 Lima: Portraits, Alfonso and Elva Rodríguez, parents of Humberto Rodríguez-Camilloni, Ph.D., architectural historian; photograph made on the balcony of their apartment.
330/N-3R/P-1 Machu Picchu, Cuzco: The city of Machu Picchu as viewed from Huayna Picchu mountain.
331/N-2R/P-1 Machu Picchu: View from Machu Picchu mountain overlooking the entry gate, royal apartments, Intihuatana, and the sacred square.
332/N-2R/P-1 Machu Picchu: View overlooking the sacred square, industrial sector; Huayna Picchu to the north.
333/N-3L/P-1 Machu Picchu: View of northwestern sector showing sacred square and Intihuatana. In photo mural NOMA supplement to traveling Gold of El Dorado show, January 1979. Photo mural in Latin American Photographic Archive.
334/N-3L/P-1 Machu Picchu: Central sector; Royal Mausoleum complex, stairway of the fountains and industrial district, view 1.
335/N-3L/P-1 Machu Picchu: Central sector; view 2.
336/N-3L/P-1 Machu Picchu: Southwestern corner of sacred square showing terraces, monumental staircase, and Wall of Three Niches.
337/N-3L/P-1 Machu Picchu: Northeast portion of industrial sector overlooking Huayna Picchu mountain.
338/N-3R/P-1 Machu Picchu: Southwest corner of sacred square overlooking industrial sector.
339/N-3R/P-1 Machu Picchu: View of industrial sector looking toward Huayna Picchu mountain.
340/N-3L/P-1 Machu Picchu: Southeastern portion of industrial sector overlooking Urubamba River.
341/N-3R/P-1 Machu Picchu: View of agricultural sector, terraces, looking toward southwest.
342/N-2L/P-1 Machu Picchu: Ceremonial monolithic stone altar piece, agricultural sector, near the house of the Ayamalloc (Guardian of the Dead), similar to the monolithic stone at Sahuite in 512.
343/N-2R/P-1 Machu Picchu: Royal Mausoleum with royal apartments, view from the sacred square.
344/N-4L/P-1 Machu Picchu: Royal Mausoleum, detail; Huairona (limekiln) with restored thatch roof.
345/N-4L/P-1 Machu Picchu: Huairona, detail; monumental dressed stone wall in Royal Apartment Sector.
346/N-3L/P-1 Machu Picchu: Southeastern corner of the royal apartment sector with semi circular tower and Royal Mausoleum, view 1.
347/N-2L/P-1 Machu Picchu: Southeastern corner of royal apartment sector with semi circular town and Royal Mausoleum, view 2. In photo mural NOMA supplement to traveling Gold of El Dorado show, January 1979. Photo mural in Latin American Photographic Archive.
348/N-2R/P-1 Machu Picchu: Ceremonial stone carved into the shape of a condor drinking from a vessel, industrial sector, only known example of a naturalistic representation in sculpture in Machu Picchu.
349/N-2R/P-1 Machu Picchu: Masma (house) with restored thatched roof, industrial sector.
350/N-3R/P-1 Machu Picchu: Single room masma with trapezoid niches, industrial sector.
351/N-1R/P-1 Machu Picchu: Detail of a building with trapezoid openings, live rock foundation, industrial sector.
352/N-2R/P-1 Machu Picchu: Temple of Three Windows, view from sacred square.
353/N-2R/P-1 Machu Picchu: Temple of Three Windows overlooking Machu Picchu mountain. In photo mural NOMA supplement to traveling Gold of El Dorado show, January 1979. Photo mural in Latin American Photographic Archive.
354/N-2L/P-1 Machu Picchu: Intihuatana, detail of northeast portion with retaining walls.
355/N-3R/P-1 Machu Picchu: Intihuatana complex looking northwest. In photo mural NOMA supplement to traveling Gold of El Dorado show, January 1979. Photo mural in Latin American Photographic Archive.
356/N-3R/P-1 Machu Picchu: Intihuatana, detail of ceremonial altar piece. Winner, 1979 Contemporary Photography in Louisiana II, Contemporary Arts Center, Judy Dater, juror.
357/N-2R/P-0 Machu Picchu: Detail of wild flowers.
358/N-1R/P-0 Machu Picchu: Portrait, S. Steven Gorin after climbing Huana Picchu.
359/N-2L/P-0 Machu Picchu: Llamas grazing in the ruins.
360/N-3R/P-2 Sacsayhuamán, Cuzco: Stone wall section and construction detail; elevation 11,907 feet.

Box No. 12 Peru, June and July 1984 (N-152/P-68)

361/N-4L/P-0 Cahuacucho (near Manchan, near Casma), Ancash: Undisturbed pre-Columbian landscape, once a city where Chimú people lived.
362/N-2L/P-0 Cahuacucho: View of the valley, water source and land where crops were grown.
363/N-3L/P-2 Manchan (near Casma), Ancash: Remains of pre-Columbian cane walls. Manchan was a regional Chimú center.
364/N-2L/P-0 Manchan: View of the desertscape.
365/N-2L/P-0 Cajamarca, Cajamarca: Cathedral, detail of retablo facade.
366/N-2L/P-0 Cajamarca: Cathedral, view of the structure across the atrium.
367/N-5L/P-0 Cajamarca: Cathedral, carved stone facade details.
368/N-3R/P-0 Cajamarca: Unidentified building.
369/N-9R/P-0 Cajamarca: Architectural details typical of the colonial city: twisted columns, simple v-shaped zapata capitals (in a courtyard), Mannerist style entryways.
370/N-3R/P-1 Otuzco (near Cajamarca), Cajamarca: Unique mountain niches, perhaps once used as burial places or tombs.
371/N-11R/P-4 Cerro Sechín (near Casma), Ancash: North coastal site outstanding for is its large collection of incised stone carvings, human figures and portraits with dramatic expressions. Site discovered by Julio C. Tello, 1937.
372/N-2L/P-0 Cerro Sechín: Building stablization work in process.
373/N-9L/P-0 Cerro Sechín: Restoration work on wall paintings in process.
374/N-3L/P-0 Cerro Sechín: Portrait, Erman Guzman Reyes, restoration artist with the Instituto Nacional de Cultura, Lima.
375/N-2R/P-1 Chan Chan (near Trujillo), La Libertad: Huaca el Dragón, view of mud plaster restoration work. See Richard P. Schaedel Collection and E. George Squier, Peru: Incidents of Travel and Exploration in the Land of the Incas, pp. 135-192.
376/N-1R/P-1 Chan Chan: Huaca Esmeralda, detail view of restored mud plaster work.
377/N-1R/P-2 Chan Chan: Huaca Esmeralda, view of restored ramp.
378/N-2R/P-2 Chan Chan: Huaca Esmeralda, detail of mud plaster animal, perhaps a squirrel.
379/N-2R/P-1 Chan Chan: Tschudi Ciudadela (citadel or a sector, one of ten large administrative centers); view of weathered down adobes coated with hydraulic cement-based mortar for erosion protection. See also 418.
380/N-2R/P-1 Chan Chan: Tschudi, restored storage rooms.
381/N-2R/P-1 Chan Chan: Tschudi, restored wall with mud plaster fish and a frieze of birds at ground level.
382/N-2R/P-1 Chan Chan: Tschudi, view of unrestored area.
383/N-2R/P-1 Chan Chan: Tschudi, a walk-in water well.
384/N-3R/P-1 Cumbamayo Canal (near Cajamarca), Cajamarca: View of a cave on the trail to the canal system. Altitude about 12,000 feet.
385/N-3R/P-3 Cumbamayo Canal: Rock art on the interior walls of the cave.
386/N-3R/P-1 Cumbamayo Canal: View of a section of the canal and a sacred stone.
387/N-3R/P-2 Cumbamayo Canal: Views of two different sections of the canal system.
388/N-3R/P-1 Galindo (near Trujillo), La Libertad: Vernacular cane house under construction in a small mountain hamlet.
389/N-3R/P-1 Galindo: A completed cane house.
390/N-2R/P-1 Huamán (near Trujillo), La Libertad: Church of Santiago, view of the facade with cane scaffolding for restoration of earthquake damages.
391/N-2R/P-2 Huamán: Church of Santiago, detail of sculpture over the doorway: two mermaids with fish tails playing the charango (a guitar-like instrument). Unique design motif for northern Peru.
392/N-2R/P-1 Moche (near Trujillo), La Libertad: Portraits, S. Steven Gorin, engineer-environmental designer and planner, and Victor Antonio Rodríguez Suy Suy, Ph.D., archaeologist, a direct Moche descendant, see Suy Suy, "Chan Chan: Ciudad e Adobe Observaciones Sobre Su Base Ecología." Revista Antropología, 1971: 89-113.
393/N-2R/P-1 Moche: Huaca de la Luna from Huaca del Sol. View shows the dramatic setting of the huaca in the shadow of a dominating mountain. See also 507. 394/N-3R/P-1 Moche: Huaca de la Luna, distant view from across a freshly plowed agricultural field.
395/N-3R/P-2 Moche: Huaca del Sol. Monumental adobe brick structure.
396/N-3R/P-1 Pan American Highway (from Trujillo to Casma), La Libertad to Ancash: View of a cemetery in the desert at the foothills of the Andes.
397/N-4R/P-3 Pan American Highway: View of barchan dunes formations. The shape possibly inspired the shape of the Chimú U-shaped room. See also 414 and 417.
397/N-4L/P-0
398/N-2R/P-0 Trujillo, La Libertad: Church (unidentified).
399/N-4R/P-0 Trujillo: Urban views of earthquake restoration in process: two churches (unidentified).
400/N-2R/P-0 Trujillo: Unidentified colonial building.
401/N-2R/P-0 Trujillo: Casa de la Emancipación, patio of a colonial town house.
402/N-1R/P-1 Trujillo: Casa de la Emancipación, restored colonial mural in the zaguán (entry or carriageway).
402/N-1L/P-0 The photograph demonstrates local preservation philosophy at this time: the colonial lady's face is gone but no attempt is made to replace it.
403/N-3R/P-1 Trujillo: Casa Ganoza Chopitea, colonial nobleman's mannor house; view of the street facade and entry door. Named after Agustín Ganoza, medical doctor and politician, and José Ignacio Chopitea, engineer and politican. See student paper "Ganoza Chopitea in Trujillo, Viceregal Peru" by Gorin, 1979, in the Latin American Library.
404/N-9L/P-0 Trujillo: Typical louvered balconies.
405/N-3L/P-0 Trujillo: Typical decorative window with rejas (iron bars) resting on a console.
406/N-2L/P-0 Trujillo: Portrait, Miguel Cornejo, archaeologist and instructor, University of Trujillo.
407/N-2R/P-1 Trujillo: Portrait, Victor Pimental Spissu, student of archaeology; son of Victor Pimental Gurmendi, Ph.D., architect and Executive Director of Special Project Work for the Museo Nacional de Antropología y Arqueología.
408/N-2R/P-1 Trujillo: Portrait, daughter of Dr. Victor Pimental Gurmendi.
409/N-0/P-25 Trujillo: Contact prints, 35mm, of a colonial map of Trujillo; colonial architecture and urban scenes of Trujillo; the village of Huanchaco on the shore of the Pacific Ocean; and the colonial church of Santiago at Huamán. The photographs were made by Luis Alberto Rozas ca. 1940; the negatives are owned by Dr. Humberto Rodríguez Camilloni of Virginia Tech; Gorin printed these images for an exhibition in the Latin American Library on the occasion of the College Art Association New Orleans meeting in 1980. Exhibition photographs and a set of 35mm copy negatives are in the Latin American Photographic Archive.

PHOTO ARCHIVE
FLAT FILE
AA Gorin Coll.
410/N-0/P-01 Lima, Lima: An original Abraham Guillén copy photograph (7-1/2" h x 20" w) of a painting of a panoramic view of the Plaza of Acleo, Rimac by Tasset; from Guillén's collection in the Instituto Nacional de Cultura. Gift to Gorin from the Instituto, 1984.

Box No. 13 Abraham Guillén Melgar Photographs In Other Collections
Peru
Copied by Gorin, 1983

For Gorin's master's thesis, "Research for Planning, Design, and Restoration: The Role of Historical Documentary Photography," University of New Orleans, 1985, a selected group of social scientific photographs by master photographer Abraham Guillén (Peru 1901-1985) was analyzed to demonstrate how documentary photographs, a reservoir of information barely touched by researchers, are primary informational resources. This group of study prints was also used to write "The Art of Documentary Photography: Abraham Guillén Melgar (b. 1901)" (unpublished paper) and "Chan Chan, Peru (A.D. 950-1440)" (unpublished paper), the later based on her 1984 field study in Chan Chan and environs. The groups are arranged: Yale, Kubler, Dobyns-Doughty, and the Latin American Photographic Archive.

Yale University, Art and Architecture Library, Slide and Photographic Collection
Peru, 1966
Identification guided by original Guillén labels.

Through the kindness of George Kubler, Ph.D., and Helen Chillman, librarian in the Yale Art and Architecture Library, Gorin was given access to the Abraham Guillén photographs. To reproduce any of these images one must obtain permission from Yale.

Pre-Columbian sites (N-51/P-25)

411/N-2L/P-1 Ayacucho, Huari: Tomb in the Tiahunacoide style, Huari culture.
412/N-2L/P-1 Cajamarquilla, Lima: View of holes in the ground for grain or tuber storage (Schaedel, 03 September 1983).
413/N-2L/P-1 Cajamarquilla: View of unidentified ruins.
414/N-2L/P-1 Chan Chan (near Trujillo), La Libertad: Tschudi, interior view of adobe ruins showing audiencas, a modern term for U-shaped rooms believed to be used as administrative offices or meeting rooms given by the Chan Chan-Moche Valley Project 1969-1974. Adobe walls are decorated with patterns made of mud plaster; in the background are the remains of once high walls that characterize the site. See 397 for possible origin of U-shaped rooms.
415/N-2L/P-1 Chan Chan: Tschudi, interior view showing remains of surrounding high walls in the background, mud plaster frieze of sea coast birds in the foreground at ground level, and restored walls.
416/N-2L/P-1 Chan Chan: Tschudi, interior view, possibly a courtyard, showing remains of a high wall in the background. Example of mud plaster frieze in circle pattern.
417/N-2L/P-1 Chan Chan: Tschudi, classical shaped audiencas (Robert Feldman, 05 March 1984) decorated with stylized sea coast birds.
418/N-2L/P-1 Chan Chan: Tschudi, interior view showing weathered down adobes coated with hydraulic cement-based mortar for erosion protection, n.d. but probably 1966. See also 379.
419/N-2L/P-1 Chan Chan: Tschudi, interior view of adobe ruins showing room divisions and decorative mud paster wall reliefs of coastal birds.
420/N-2L/P-1 Chan Chan: Tschudi, decorative wall reliefs of geometric patterns and a frieze of stylized coastal birds at ground level in mud plaster.
421/N-2L/P-1 Chan Chan: Tschudi, detail of restored adobe wall decorated with stylized mud plaster fish and birds.
422/N-2L/P-1 Chan Chan: Tschudi, detail of interior wall frieze of stylized sea birds in mud plaster.
423/N-2L/P-1 Chan Chan: Probably Tschudi, detail of interior wall decorated with stylized birds in mud plaster, n.d. but probably 1966.
424/N-2L/P-1 Chan Chan: Tschudi, detail of interior wall decorated with stylized birds designed to fit the corner of a room.
425/N-2L/P-1 Chimú blackware: Ceramic, stirrup spout bottle representing a house with decorated pillars. A monkey at the base of the spout is characteristic of Chimú design vocabulary. In Museo Nacional de Arqueología y Anthropología, Lima.
426/N-3L/P-1 Copacabana (near Lake Titicaca), Bolivia: Portrait, Abraham Guillén, lower right. Rock formation, "The Gallow," a name perhaps given by Guillén or at least perpetuated by him.
427/N-2L/P-1 Puno (near Lake Titicaca), Puno: Palace on Isla del Sol.
428/N-2L/P-1 Sacsayhuamán, Cuzco: Aerial view of the site, 1943. See E. George Squier, Peru: Incidents of Travel and Exploration in the Land of the Incas, p. 470.
429/N-2L/P-1 Sillustani (near Lake Titicaca), Puno: Chullpas (burial chambers).
430/N-2L/P-1 Sillustani: Detail of chullpas showing highly finished stonework.
431/N-2L/P-1 Tambo Colorado, Ica: Aerial view of the palace and plaza complex.
432/N-2L/P-1 Tambo Colorado: Section of residential or storage area.
433/N-2L/P-1 Tambo Colorado: Interior room with windows framed with step-like design similar to window design at Mesa Verde, Colorado, USA.
434/N-2L/P-1 Pachacamac, Lima: Templo de Pachacamac, remains of murals of marine life on monumental steps, 1938.
435/N-2L/P-1 Pachacamac: Templo de Pachacamac, remains of a mural in blue, black and red on the grand staircase. No longer in existence.

Ceramic, stone, textile: forms and design patterns (N-51/P-23)

436/N-2L/P-1 Ayacucho, Huari: Monolith, human figure, stone, appears to be broken at the waist, in the pueblo Pacae K'aja near the ruins.
437/N-2L/P-1 Callejón de Huaylas (near Chavín de Huantar), Ancash: Human-like head with the appearance of a long neck, but possibly a tenon head, stone.
438/N-2L/P-1 Callejón de Huaylas: Monolith, bust of human form, stone.
439/N-2L/P-1 Chavín, Ancash: Bas-relief of feline figure probably inspired by a puma, stone.
440/N-2L/P-1 Chavín: Incised zoomorphic figures found during the 1966 restoration work, stone.
441/N-2L/P-1 Chavín de Huantar, Ancash: Anthropromorphic head, a tendon head, stone, 1955.
442/N-2L/P-1 Cuzco, Cuzco: Inca sculpture, two animal figures, stone. From the Church of San Francisco. See E. George Squier, Peru: Incidents of Travel and Explorations in the Land of the Incas, p. 458.
443/N-2L/P-1 Huamachuco, La Libertad: Human head with head band or hat and earrings, possibly a tenon head, stone.
444/N-2L/P-1 Lambayeque, Lambayeque: Vessel with spout decorated with four human figures carrying a human figure on a litter, ceramic. In Museo Nacional de Arqueología y Antropología, Lima.
445/N-3L/P-1 Mochica culture (same as Moche): Stirrup spout bottle in the form of a complex mountain scene with seated human figures, ceramic.
446/N-3L/P-1 Nepena, Ancash: Three figures, one human head, in situ at the temple in Santa Cerro Blanco, other two designs are unidentified, ceramic.
447/N-2L/P-1 Pallasca, Ancash: Atlas column in shape of zoomorphic seated figure, stone, in Museo Larco.
448/N-4L/P-1 Paracas culture: Detail of stylized elaborated anthropomorphic figure, textile, probably Paracas.
449/N-3L/P-1 Paracas culture: Detail of stylized anthropomorphic figure, textile, probably Paracas.
450/N-2L/P-1 Piura, Piura: Stylized seated human figure with warrior crown on his head, earrings, and arm ban, ceramic, Vicus culture.
451/N-2L/P-1 Piura: Anthropomorfic figure with almond shaped eyes, standing, ceramic.
452/N-2L/P-1 Pucara, Puno: Human figure, standing, stone.
453/N-2L/P-1 Puno: Two animal figures with long tails carved in relief on a stone slab (Guillén, capachica stone).
454/N-2L/P-1 Sillustani, Puno: Monolith, figure of a lizard in relief on a rock.
455/N-2L/P-1 Tiahuanaco (southern region of Lake Titicaca), Bolivia: Female figure in seated position with legs tucked under her body, stone.
456/N-2L/P-1 Tiahuanacoid culture: Anthropomorphic vessel with wide open mouth and stylized eyes, half black and half white, characteristic of Tiahuanacoid style, ceramic.
457/N-2L/P-1 Tiahuanacoid culture of Huari: Human figure with head decoration, standing, ceramic, Huari.
458/N-2L/P-1 Vilcashuamán, Ayacucho: Incised double zigzag pattern, stone.

Box No. 13 George Kubler Collection (N-25/P-08)
Peru, 1951

George Kubler, Ph.D., art and architectural historian and prolific writer, professor emeritus of Yale University, had a long working relationship with Guillén. Dr. Kubler not only had great respect for Guillén and his work but also for the doors he opened for him in Peru, especially on the UNESCO Cuzco Project which was organized after the 21 May 1951 earthquake. Dr. Kubler was a member of the team of experts who evaluated the architectural damages and studied traffic patterns in that city. Dr. Kubler was happy that the master photographer was being academically recognized and assisted Gorin to reconstruct Guillén's role in the Cuzco UNESCO mission. Guillén produced a thousand photographs which were used by the experts to evaluate damages to the buildings. The following selected images represents only a small sample of the monumental property damage that occurred in Cuczo from the disastrous quake. To reproduce any of these photographs one must obtain permission from Dr. Kubler.

459/N-4R/P-1 George Kubler: Portrait made at Yale University, 1983.
460/N-3L/P-1 Cuzco, Cuzco: Church of Santo Domingo; the Coricancha in Inca times. See E. George Squier, Peru: Incidents of Travel and Explorations in the Land of the Incas, p. 443.
461/N-3L/P-1 Cuzco: Santo Domingo, interior damage.
462/N-3L/P-1 Cuzco: Roof of Santa Catalina, Dr. Kubler (R); Oscar Jiménez, road engineer and member of the mission party (L).
463/N-3L/P-1 Cuzco: Cloister of La Merced; detail of emergency supports.
464/N-3L/P-1 Cuzco: Church of El Triunfo; detail of earthquake damage to the espadaña (bell gable, belfry); two men are unidentified.
465/N-3L/P-1 Cuzco: Church of San Sebastian before restoration with detail of the atrium cross.
466/N-3L/P-1 Cuzco: Church of San Sebastian after restoration with detail of the atrium cross.

Box No. 13 Henry E. Dobyns-Paul L. Doughty Collection (N-07/P-07)
Peru, 1950-1955

Henry E. Dobyns, Ph.D. and Paul L. Doughty, Ph.D., both sociologists who worked on the Cornell-Peru Vicos Project, helped Gorin to reconstruct Abraham Guillén's role in this project from 1950-55. Drs. Dobyns and Doughty recognized not only Guillén's photographic skills but also the social scientific value of his body of work at Vicos and rescued his archive when it was in danger of being tossed out at the close of the project. Gorin was allowed to review this collection and to print from Guillén's original negatives the following six images which she judged to be extraordinary for subject, composition, sensitivity, exposure, and degree of difficulty. All negatives were printed full frame. These photographs are not available for reproduction.

The following seven negatives are copy negatives made from Gorin's prints. The film number follows the description of the image.

467/N-1/P-1 Vicos, Ancash: Portraits, Abraham Guillén kneeling (lower R), in a group picture in the public square with Dr. Allan R. Holmberg and his University of San Marcos students, 1948. Unidentified photographer but perhaps Guillén. From unidentified source. Neg. 20
468/N-1/P-1 Vicos: Harvesting grains of wheat. Neg. 16
469/N-1/P-1 Vicos: Horses thrashing wheat. Neg. 18
470/N-1/P-1 Vicos: Papas (potatoes) and folk architecture, view 1. Neg. 19
471/N-1/P-1 Vicos: Papas and folk architecture, view 2. Neg. 17
472/N-1/P-1 Vicos: Portraits, Cementario (cemetery, two people at a grave site). Neg. 14
473/N-1/P-1 Vicos: Portrait, Niña con su muneca de pan (Little girl with a doll of bread). Neg. 15

Box No. 14 Latin American Photographic Archive, Abraham Guillén Collection (N-170/P-42)
Peru

474/N-3L/P-1 Abraham Guillén: Portrait, perhaps a self portrait.
475/N-2L/P-1 Abraham Guillén: His signature (included in the sleeve, back side, of 474).
476/N-2L/P-1 Cajamarca, Cajamarca: Canal de Cumbamayo, 1944.
477/N-2L/P-1 Callejón de Huaylas (near Chavín de Huantar), Ancash: Three pieces, each a human form, one sculptured, two in low relief, stone.
478/N-2L/P-1 Cerro Culebras (Valley of Chillón), Ancash: Wall mural, geometric design, 1952.
479/N-2L/P-1 Cerro Sechín (near Casma), Ancash: Post and fence-like wall before restoration; design on tall monolith, far right, probably a banner or insignia, 1969.
480/N-2L/P-1 Cerro Sechín: Monoliths before restoration work, 1969.
481/N-2L/P-1 Cerro Sechín: Row of monoliths incised with figures at the front of the entrance, 1969.
482/N-2L/P-1 Cerro Sechín: Detail of incised monolith in the shape of a human.
483/N-2L/P-1 Cerro Sechín: Detail of incised free form abstract monolith, 1969.
484/N-2L/P-1 Chan Chan (near Trujillo), La Libertad: Huaca Esmeralda, molded and carved wall decoration on a ramp. Guillén made this photograph with Richard Schaedel, 1953.
485/N-2L/P-1 Chan Chan: Huaca El Dragón, detail of mud plaster decorative wall excavated by Richard Schaedel. Guillén made this photograph with Schaedel, 1953.
486/N-2L/P-1 Chan Chan: Rivero, Chimú figure in situ, wood, Museo Universidad de Trijullo. Guillén made this photograph with Schaedel.
487/N-2L/P-1 Chavín de Huantar, Ancash: Galerías del castillo, 1955.
488/N-2L/P-1 Chavín de Huantar: Estella Raimondi in Museo Nacional de Arqueología y Antropología, Lima.
489/N-2L/P-1 Chavín de Huantar: Rare stele in the form of a cylinder or column, decorated, 1955. This view is the column before it was incorrectly positioned. See Luis G. Lumbreras, The People and Cultures of Ancient Peru, Washington, DC: Smithsonian Institution Press, 1974, p. 66.
490/N-2L/P-1 Chavín de Huantar: Chavín warrior incised in stone with classic Chavín upturned pupil of the eye, found in 1972.
491/N-2L/P-1 Cuzco, Cuzco: Farmer with an arado (plow). Notice wad of coca leaves in his mouth. See a similar drawing by colonial artist Guaman Poma de Ayala in Luis Valcarcel's, Historia de la Cultura Antigua del Perú, Tomo I, Volumen II, Lima, 1949.
492/N-1L/P-1 Cuzco (near): Church of San Jerónimo Parish, 16th century, in an Indian village. The facade is composed of: a three arched narthex with balcony, a three arched espadana (bell gable, belfry) with three bells, and an antrium cross.
493/N-10L/P-1 Cuzco (near): Church of San Jerónimo Parish, portrait of a small boy and girl framed in a doorway, 1934.
494/N-1L/P-1 Cuzco: Copy of the painting "Terremoto de Cuzco, 1650" or "Monroy Panorama." Painting was made soon after the great quake on the order of Don Alonso Cortés de Monroy (according to the Kubler Cuzco survey).
495/N-2L/P-1 Huinay Huayne or Winay Huayna (near Urubamba), Cuzco: Settlement on a mountainside showing roofless stone buildings and terrance gardens, 1942.
496/N-2L/P-1 Huinay Huayna: Detail of high stone gabled buildings, 1942.
497/N-2L/P-1 Ilave (area of Lake Titicaca), Puno: Preparation of chunu (a drink).
498/N-2L/P-1 Islas de Chincha (near Pisco), Ica: Pichones de Piquero (Booby birds) nesting, 1935.
499/N-2L/P-1 Lima, Lima: Exterior view of street facade, house of Jirón Moquequa, Cuadoa 3, 1970.
500/N-2L/P-1 Lima: Interior view of parlor, house of Ignacio Moraski, Calle El Milagro, 1970.
501/N-1L/P-1 Lima: Copy of vintage photograph. Street facade view of a hotel with baths on the Plaza de Armas; row of waiting horse-drawn buggies, perhaps taxis, ca. 1870.
502/N-2L/P-1 Machu Picchu, Cuzco: Aerial view of the Tower.
503/N-2L/P-1 Madre de Dios (on the Río Blanco, south of Manu): Portrait, Mashco Indian man with bow and arrow in front of a house made of native straw-like material, 1956.
504/N-2L/P-1 Pachacamac, Lima: Murals of marine life, 1938. No longer in existence.
505/N-2L/P-1 Pallasca, Ancash: Incised, low relief stones with human forms, ca. 1945.
506/N-2L/P-1 Pucara, Puno: Tejedora (weaver), 1934.
507/N-2L/P-1 Pucara: Colonial Latin cross plan church with dome constructed in front of a rugged mountain. Note the use of the dominant landscape element, the mountain, as a backdrop for the architecture; similar to the use of the mountain behind the Huaca de la Luna in Moche in 393.
508/N-2L/P-1 Pucara: Incised suche fish, tadpole at the top and in between a circle symbolic of water, stone, 1934.
509/N-2L/P-1 Pucara: Incised geometric and abstract shapes, stone, 1934.
510/N-10L/P-1 Paucartambo: Colonial bridge with llama herder and his stock. Photograph was found in Emilio Harth-terré Collection, possibly by Guillén, 1979.
511/N-2L/P-1 Quispicanchis: Vicuña, 1969. See E. George Squier, Peru: Incidents of Travel and Exploration in the Land of the Incas, p. 250.
512/N-2L/P-1 Sahuite: Portrait, José Santander, archaeologist, setting on top of a large, finely-carved ceremonial stone with steps, similar to the monolithic stone at Machu Picchu in 342.
513/N-2L/P-1 Tiahuanaco, Bolivia: Ponce Stone, a monolithic figure with decorative incising from top to bottom, 9' h, 1960.
514/N-2L/P-1 Trujillo, La Libertad: View on the Plaza de Armas, 1936. No longer in existence.
515/N-2L/P-1 Vilcashuan or Wilkawain: Portrait, Herman Amat, archaeologist, in the galerias, 1956.

516/N-72/P-0 A set of 35mm copy negatives (2 rolls, 36 each) of Guillén's photographs from the Latin American Photographic Archive (474-515) was made by the Library. The negatives are arranged according to the number on the film.

Box No. 15 Richard P. Schaedel Collection (N-04/P-55)
Peru, ca. 1948
Printed from Dr. Schaedel's negatives, 1984
Identification guided by Dr. Schaedel (personal communication)

The following Andean photographs were taken by American pioneer anthropologist-archaeologist Richard P. Schaedel, Ph.D. whose research in Peru began with his dissertation, "An Analysis of Central Andean Stone Sculpture," Yale, 1952. Among Dr. Schaedel's wide network of Peruvian friends was Abraham Guillén. All of the photographs in this collection were made with a Rolleiflex borrowed from Guillén in 1947-48 and with a Kodak Reflex camera in 1948.

Dr. Schaedel lived and worked in the desert on the North Coast of Peru for fifteen years. Among his many achievements was the direction of the excavation of the whole Huaca El Dragón near Chan Chan. In April 1954 Life magazine (36(14):25-27) published the story of the expedition Dr. Schaedel led into the Andes twenty-five miles from Santiago, Chile to recover the frozen body of a noble Inca child. From the beginning of Dr. Schaedel's career he has demonstrated not only the importance of making social-scientific documentary photographs, but also how to use this kind of graphic information along with books and manuscripts. Dr. Schaedel has had a long teaching career at the University of Texas, Austin, and has published extensively. When his friend Paul Kosok died before finishing Life, Land and Water in Ancient Peru, Dr. Schaedel completed the book and carried it through publication (NY: Long Island University, 1965).

Dr. Schaedel helped Gorin to reconstruct Guillén's career. The following study images were printed by Gorin from the original 2-1/4 x 2-1/4 negatives in Dr. Schaedel's large private visual library. These prints were also used by Gorin in her 1984 field study of Chan Chan and the paper that followed, "Chan Chan, Peru (A.D. 950-1440)." To reproduce any photographs from this collection one must obtain permission from Dr. Schaedel.

517/N-4R/P-1 Richard P. Schaedel: Portrait, made at the University of Texas.
518/N-0/P-1 Dr. Soriano Infante of Huaraz, Ancash: Portrait, the priest is pictured in Schaedel's "The Callejon de Huaylas of Peru and its Monuments" in Archaeology 1(4)1948:198-202. Other man, unidentified.
519/N-0/P-1 Ancos (on the way to Pashash), Ancash: Interior view of a cabana (cottage) showing vernacular architectural forms: twisted columns, puttis, charango players, and versions of saints.
520/N-0/P-1 Cabana, Ancash: Zoomorphic forms in low relief, stone.
521/N-0/P-1 Cabana: Decorative design in foreground; anthropomorphic and abstract decorative forms in the background, stone.
522/N-0/P-1 Cabana: Relief of stylized bird, stone.
523/N-0/P-1 Cabana: Human figure over a doorway, wood.
524/N-0/P-1 Chan Chan (near Trujillo), La Libertad: Bandelier Ciudadela, inside the main north wall.
525/N-0/P-1 Chan Chan: Grand Chimú, walls with mud plaster friezes in a tapestry-like pattern; unidentified people.
526/N-0/P-1 Chan Chan: Grand Chimú, west wall; view also shows a flock of coastal birds.
527/N-0/P-1 Chan Chan: Grand Chimú, view of adobes.
528/N-0/P-1 Chan Chan: Grand Chimú, view of wall with remains of tapestry-like sculptured pattern.
529/N-0/P-1 Chan Chan: Grand Chimú, detail of mud plaster frieze in a wave pattern (a possible orgin of the Art Deco vocabulary form); the form is also found in the Greek world; both civilizations are located near bodies of water.
530/N-0/P-1 Chan Chan: Grand Chimú, detail of remains of a mud plaster abstract design.
531/N-0/P-1 Chan Chan: Grand Chimú, detail of an abstract mud plaster pattern.
532/N-0/P-1 Chan Chan: Grand Chimú, detail showing construction of an adobe wall.
533/N-0/P-1 Chan Chan: Huaca el Dragón, detail of a wall at ground level showing stylized and decorative forms; unusual designs may have had calendrical significance.
534/N-0/P-9 Chan Chan: Huaca el Dragón, views showing the design vocabulary of the Chimú mud plaster artists such as stylized human, animal, and sea creature forms.
535/N-0/P-3 Chan Chan: Huaca el Dragón, views showing wall shapes.
536/N-0/P-1 Chan Chan: Huaca el Dragón, detail of a corner of a wall.
537/N-0/P-1 Chan Chan: Huaca el Dragón, detail showing rubble-like adobe construction.
538/N-0/P-1 Chan Chan: Huaca Esmeralda, a step-like mound with bands of mud plaster friezes in patterns of sea birds and tapestry-like patterns. Left, principal ramp with flanking terraces.
539/N-0/P-1 Chan Chan: Huaca Esmeralda, internal view of a room with remains of wall decoration.
540/N-0/P-1 Chan Chan: Huaca el Higo, details of remaining mud plaster friezes in wave and geometric shapes, on the terraces, view 1.
541/N-0/P-1 Chan Chan: Huaca el Higo, detail view of the terraces, view 2.
542/N-0/P-1 Chan Chan: Huaca del Olvido, remains in the shape of a mound.
543/N-0/P-1 Chan Chan: Martínez de Campanón, a foundry, only place in Chan Chan where the walls are this thick.
544/N-0/P-1 Chan Chan: Martínez de Campanón, adobe erosion, view 1.
545/N-0/P-1 Chan Chan: Martínez de Campanón, remains of adobe walls, view 2.
546/N-0/P-1 Chan Chan: Rivero, mud plaster frieze in checker board pattern.
547/N-0/P-1 Chan Chan: Tello, interior view of a wall showing the bonding of adobes.
548/N-0/P-1 Chan Chan: Tschudi, before restoration of wall and mud plaster fish pattern.
549/N-0/P-1 Chan Chan: Tschudi, detail of a stylized sea bird in mud plaster.
550/N-0/P-1 Chan Chan: Tschudi, landscape of triangle shaped adobe pattern.
551/N-0/P-1 Chan Chan: Uhle, elite residences with double pitched roofs.
552/N-0/P-1 Chan Chan: Uhle, overview of extant adobe construction.
553/N-0/P-1 Chan Chan: Velarde, view of weathered adobe walls.
554/N-0/P-1 Chan Chan: Velarde, remains of mud plaster pattern; cave indicates work of looters.
555/N-0/P-1 Chan Chan: Great Wall (location unidentified), Cerro Cabras in the background.
556/N-0/P-1 Huandoval, Ancash: Form of a man, folk art, wood.
557/N-0/P-1 Huandoval: Zoomorphic forms, Recuay period, stone.
558/N-0/P-1 Huandoval: Stylized forms, Recuay period, stone.
559/N-0/P-1 Huandoval: Portrait heads, Recuay period, stone.
560/N-0/P-1 Huandoval: Anthropomorphic form, Recuay period, stone. Unidentified man.
561/N-0/P-1 Huandoval: Anthropomorphic forms, Recuay period, stone.

Box No. 16 Cristóbal Campana Collection (N-0/P-43)
Peru
Photographs acquired in 1984

Cristóbal Campana, Director of the Instituto Nacional de Cultura in Trujillo and teacher at the National University of Trujillo, published his research on Moche architecture in La Vivienda Mochica, Trujillo, Peru, 1983. All of the photographs in this collection were made by Campana and printed from his negatives by Segundo Rivasplata, photographer in Trujillo. To reproduce any photographs from this collection one must obtain permission from Campana. Identification was guided by Campana.

562/N-2/P-1 Cristóbal Campana D.: Portrait, made in the dining room of the Hotel de Turistas de Trujillo, which was located on the main city plaza, June 1984.
563/N-0/P-1 Chan Chan (near Trujillo), La Libertad: Huaca el Higo, mud plaster panel with two human figures repeated in a ground level frieze.
564/N-0/P-1 Chan Chan: Huaca el Higo, detail of two human figures featured in the frieze.
565/N-0/P-1 Chan Chan: Rivero, circle pattern frieze, perhaps an astronomical station or calendar.
566/N-0/P-22 Chan Chan: Velarde, Tule Boat Frieze, also named Burr Frieze after Samuel H. Burr who uncovered a portion of the frieze. Burr was a member of the Chan Chan-Moche Valley Project, summer 1969. After the frieze was photographed and analyzed, the excavated panels were reburied for preservation; nothing was left visible. For description of the marine theme see Gorin, "Chan Chan, Peru (A.D. 950-1440)," 1984, p. 25 (unpublished).
567/N-0/P-1 Chan Chan: Grand Chimú, remains of mud plaster tapestry-like abstract design perhaps with zoomorphic figures.
568/N-0/P-1 Chan Chan: Huaca Esmeralda, detail of mud plaster animal friezes and geometric pattern.
569/N-0/P-1 Chan Chan: Huaca Esmeralda, detail of mud plaster wave-like design.
570/N-0/P-1 Chan Chan: Huaca el Dragón, unrestored mud plaster decorative wall.
571/N-0/P-1 Chan Chan: Rivero, wooden idol in situ, 1968.
572/N-0/P-1 Chan Chan (?): Wooden idols, origin unidentified. According to Dr. Schaedel these figures are fake. Museo Larco, Lima.
573/N-0/P-2 Chan Chan: Tschudi Ciudadela, wachaque (sunken garden type farming) with reed-like plants growing on the edges. The reeds are grown commercially on the north Pacific coast and they are a common building material in the area. The plant is sometimes identified as tule grass, a name probably derived from a California reed grass of the same name, as several Californians were involved in the Chan Chan-Moche Valley project, 1969-1974.
574/N-0/P-1 Chan Chan: Tschudi, detail of a U-shaped room with mud plaster wall decorations: stylized sea birds in the foreground, a geometric pattern in the background, 1968.
575/N-0/P-1 Chan Chan: Tschudi, detail of walk-in well, 1968.
576/N-0/P-1 Chan Chan: Tschudi, detail of mud plaster frieze in shape of an animal, perhaps a squirrel.
577/N-0/P-4 Chan Chan: Unidentified but probably Tschudi because it is the best-preserved sector. Examples of stylized sea birds and how they were designed to fit a special place complemented by geometric shapes.
578/N-0/P-1 Chan Chan: Unidentified but probably Tschudi, storage bins with walls decorated with zoomorphic figures.
579/N-0/P-1 Chan Chan: Unidentified but probably Tschudi, mud plaster frieze of circles.

Box No. 16 Sampiertri Collection (N-02/P-27)
Peru
Photographs acquired in 1984

580/N-2/P-1 Segundo Rivasplata and Sampiertri: Portraits, two local photographers outside of the Hotel de Turistas de Trujillo, July 1984. Rivasplata knew Guillén and Sampietri claimed to be a long time friend of his. Each photographer made archaeological photographs in the area, developed their own stock for sale, and made prints on demand as did Guillén. The following images were purchased from Sampiertri and printed by him.

581/N-0/P-1 Chan Chan (near Trujillo), La Libertad: Huaca el Dragón, early view before restoration, perhaps copied from a book.
582/N-0/P-1 Chan Chan: Huaca Esmeralda, remains of a decorative wall with tapestry-like pattern.
583/N-0/P-1 Chan Chan: Rivero, wood idol in situ, 1968.
584/N-0/P-1 Chan Chan: Tschudi, aerial view of the restored ruins. The tour group in the photograph is a ballet company from Russia, 1968.
585/N-0/P-1 Chan Chan: Tschudi, aerial view of a wachaque (sunken garden), about the size of a football field, 1968.
586/N-0/P-1 Chan Chan: Tschudi, room with decorative friezes and vertical panel of sea birds; walls are decorated with patterns of squares, 1968.
587/N-0/P-1 Chan Chan: Tschudi, view through a decorative opening of stylized birds, 1968.
588/N-0/P-1 Chan Chan: Tschudi, view of rooms with decorative abstract shapes and in the foreground a frieze of circles, 1968.
589/N-0/P-1 Chan Chan: Tschudi, restored walls with a frieze of stylized animals, perhaps squirrels, 1968.
590/N-0/P-1 Chan Chan: Tschudi, long, narrow U-shaped room with decorative mud plaster frieze of birds at ground level, 1968.
591/N-0/P-1 Chan Chan: Uhle, elaborate abstract wave-like design with sea bird in upper right corner. According to Dr. Schaedel this image was copied from a 1944 publication.
592/N-0/P-2 Chimú: Painted textile patterns which show the relationship between the design vocabulary of the textile workers and the mud plaster sculptors, Middle Horizon, 1100-1200 (between Moche and Chimú according to Schaedel).
593/N-0/P-10 Chimú: Textiles, Middle Horizon, 1100-1200, showing design relationships between mud plaster and weaving vocabularies.
594/N-0/P-1 Moche (near Trujillo), La Libertad: Huaca del Sol, monumental architectural achievement in adobe brick work.
595/N-0/P-1 Moche culture: Polychrome mural painted on a mud brick wall at Panamarca, the Presentation Theme, see Christopher B. Donnan, Moche Art of Peru, Pre-Columbian Symbolic Communication, Museum of Cultural History, Los Angeles: University of California, 1978, p. 22.
596/N-0/P-1 Unidentified location: A variety of mud plaster frieze designs set on a diagonal. Maybe copied from a book.

PHOTO ARCHIVE S. Steven Gorin Collection (N-0/P-17)
FLAT FILE Peru, 1942
AA Gorin Coll.

597/N-0/P-17 Peru, North Coast, Moche Valley: Aerial photographs were made by Servicio Aerofotográfica Nacional (SAN), 1942, Project No. 104, photographs 1-17 mounted on board. Collected by Dr. Gorin and used in his dissertation, "Control of the Effects of Wind, Sand, and Dust by the Citadel Walls, in Chan Chan, Peru," Virginia Tech, 1989. To reproduce any photograph one must obtain permission from SAN. Images on two boards: 1-13 complete; 14-17 one missing.

Box No. 17 Spain, May 1973 (N-91/P-32)

598/N-2R/P-1 Ávila: Panorama view of the walled city. (Top)
598/N-1R/P-1 Ávila: View of the walled city from a shrine. (Lower)
599/N-1R/P-1 Barcelona: La Sagrada Familia, facade, Antonio Gaudi, architect.
600/N-3R/P-0 Barcelona: La Sagrada Familia, details of the facade.
601/N-3R/P-1 Barcelona: View from Monjuich; foreground, modern sculpture of a group of people holding hands together in the air, artist unidentified; background far right, La Sagrada Familia on the skyline.
602/N-3R/P-1 Córdoba: Gate of the walled city.
603/N-3R/P-1 Córdoba: Roman bridge, gate, and mill on the Guadalquivir River.
604/N-2R/P-1 Córdoba: Mezquita (mosque), rear view of the building.
605/N-3R/P-1 Córdoba: Old Arab-Jewish Quarter, narrow street lined with hanging pots of flowers.
606/N-3R/P-1 Córdoba: Old Arab-Jewish Quarter, narrow street flanked by three and four story buildings.
607/N-3R/P-1 Córdoba: Portraits, two elderly men, a priest and a gentleman. (Top, R insert).
607/N-1R/P-1 Córdoba: Elderly men sitting in chairs on the sidewalk. (Lower)
608/N-0/P-1 Córdoba: Portrait, enlargement of the elderly gentleman with a wide brim hat in 607.
609/N-3R/P-2 Córdoba: Bread shop (Lower); sign (San Basilio DESPACHO DE PAN] enlarged. (Top, R insert)
610/N-3R/P-1 Granada: Alhambra and Granada and the Sierra Nevada; view from the Generalife.
611/N-3R/P-0 Granada: Alhambra, detail of the crenelated wall.
612/N-3R/P-1 Granada: Alhambra, Palace of Carlos V, renaissance style, principal entryway with a view to the circular colonnaded courtyard.
613/N-3R/P-1 Granada: Alhambra, Palace of Carlos V, one of idential doorways flanking each side of the principal entryway.
614/N-1R/P-0 Granada: Alhambra, Palace of Carlos V, detail of a door flanking the principal facade entryway.
615/N-2R/P-1 Granada: Alhambra, Palace of Carlos V, detail of wall relief panel on the facade.
616/N-3R/P-1 Granada: Alhambra, Palace of Carlos V, circular colonnaded courtyard.
617/N-1R/P-1 Granada: Alhambra, Patio of the Lions, showing the fountain and surrounding mos (moslem)-arabic architecture.
618/N-3R/P-1 Granada: Alhambra, Patio of the Lions, detail of a lion element in the fountain design.
619/N-3R/P-1 Granada: Alhambra, Patio of the Lions, detail of the mos-arabic arches and intricate stucco art.
620/N-3R/P-1 Granada: Alhambra, mos-arabic window detail.
621/N-3R/P-1 Granada: Alhambra, Tower of the Ladies.
622/N-3R/P-1 Granada: Generalife, gardens of the Alhambra, view 1.
623/N-3R/P-1 Granada: Generalife, gardens of the Alhambra, view 2.
624/N-3R/P-1 Granada: Generalife, long narrow pool with rising sprays of water. This fountain was replicated in the Spanish Garden at Longue Vue Gardens, New Orleans.
625/N-3R/P-1 Granada: Generalife, details of a fountain in operation.
626/N-3R/P-1 Granada: Sacro-Monte, Gypsy quarter, portrait, Gypsy boy. (Top, R insert)
626/N-3R/P-1 Granada: Sacro-Monte, landscape view of the Gypsy cave houses. (Lower)
627/N-3R/P-1 Granada: Sacro-Monte, portrait, Gypsy woman, 1.
628/N-3R/P-1 Granada: Sacro-Monte, portrait, Gypsy woman, 2.
629/N-3R/P-0 Granada: Sacro-Monte, portrait, Gypsy man.
630/N-2R/P-0 Granada: Unidentified building in the direction of the Parador de S. Francisco (sign on wall).

Box No. 18 Spain, May 1973 continued (N-29/P-15)

631/N-1R/P-1 Montserrat: Benedictine monastery, facade detail.
632/N-2R/P-1 Montserrat: Benedictine monastery, detail of stone sculptured detail at the base of the spring of an arch in the cloister walk. (Top, L insert)
632/N-2R/P-1 Montserrat: Benedictine monastery, two story colonaded cloister walk. (Lower)
633/N-3R/P-1 Montserrat: "Serrated" mountains, highest peak 4,055 feet.
634/N-1R/P-1 Montserrat: Rock formations.
635/N-2R/P-1 Segovia: Alcázar.
636/N-2R/P-1 Sevilla: Cathedral, lateral perspective.
637/N-3R/P-1 Sevilla: Cathedral, detail view of La Giralda Tower.
638/N-1R/P-1 Sevilla: Cathedral, recessed portal, left and right jambs and tympanum sculptured in stone.
639/N-2R/P-1 Sevilla: Santa Cruz, Old Quarter, exterior wall decoration, painting framed in renaissance style and resting on a console. (Top, L insert)
639/N-2R/P-1 Sevilla: Santa Cruz, urban view of the Old Quarter. (Lower)
640/N-1R/P-1 Sevilla: Old Tobacco Factory.
641/N-1R/P-1 Sevilla: House of Pontius Pilate, view of the renaissance style patio.
642/N-2R/P-0 Sevilla: Maria Luisa public park.
643/N-2R/P-1 Toledo: Monastery of San Juan de Los Reyes, detail of second floor cloiser arches. (Top)
643/N-2R/P-1 Toledo: Corner house, clay tile roof, brick and decorative tile. (Lower)

Box No. 19 USA, 1976 and 1977 (N-12/P-06)

644/N-2R/P-1 New Orleans, Louisiana: Archangel Michael, polychrome and gilt wood, Cuzco School, Peru, New Orleans Museum of Art (NOMA).
645/N-1L/P-1 New Orleans: Head of a bearded man, stone sculpture, Guatemala-Campeche border, NOMA.
646/N-2L/P-1 New Orleans: Peru: mask, Chimú ca. 1200-1438, Lambayeque Valley, North Coast, such masks were sewn to mummy bundles which contained the remains of prominent persons; jar with monkey, Chimú, red terra cotta; standing figure, Chancay ca. 900-1532, terra cotta with white slip and black paint. Vessel with stirrup handle, Chimú, terra cotta; beaker, Lambayeque, gold with traces of cinnabar; two standing figures, Chancay, terra cotta with traces of pigment, NOMA.
647/N-1L/P-1 New Orleans: Seated male warriors with tortoise shell breast plate, red terra cotta, Colima, Mexico AD 300-900, NOMA.
648/N-2L/P-0 New Orleans: Jaguar head (center figure), clay, Ulua Valley, Honduras, NOMA.
649/N-3L/P-1 New Orleans: Clay effigy vessel, Nicoya, Costa Rica. Painted stylized decorations of monkeys, crocodiles, felines. Head in the form of a jaguar, MOMA.
650/N-1R/P-1 New Orleans: Standing figure of a dwarf, terra cotta, Olmec, Mexico 1200-400 BC, NOMA.

Box No. 19 USA, November 17, 1985 (N-15/P-0)

651/N-3L/P-0 Potomac (suburb of Washington, D.C.), Maryland: Academy of American Franciscan History, chapel, Kentsdale Drive, designed by Emilio Harth-terré (Peru 1899-1983). This building is his only design in the United States.
652/N-3L/P-0 Potomac: Academy of American Franciscan History, chapel, horizontal perspective.
653/N-3L/P-0 Potomac: Academy of American Franciscan History, detail of a gate and lamp.
654/N-3L/P-0 Potomac: Academy of American Franciscan History, detail of the principal facade entryway.
655/N-3L/P-0 Potomac: Academy of American Franciscan History, plaque with the inscription:
Original design of alters and chapel
Emilio Harth-terré architect
Lima, Peru
Chapel of Our Lady of Guadalupe
Johnson and Boutin, Architects
Viner Construction Co., Builders
Father Antonine Tibesar, OFM, Director, 1961

Box No. 19 Miscellaneous and Experiments

In the early days of the Archive Gorin conducted experiments in copying and printing vintage photographs. The following are the results of these experiments.

Southeastern Architectural Archive (SEAA), Tulane School of Architecture, Lantern Slide Collection, October 1980 (N-72/P-14)

This collection of several hundred lantern slides concerning world architecture was the teaching collection for the Tulane School of Architecture. Lantern slides were superseded by 35mm slide technology in the 1930s. Bernard Lemann, Ph.D., professor emeritus of architectural history, recalled using both lantern and 35mm slides in his 1940s classes. For safe keeping the collection has been moved to SEAA and is housed in its original cabinets. The vintage projector is also in SEAA. These lantern slides are 3-1/4" h x 4" w (outside dimensions).

In 1980, before the collection was moved to SEAA, Gorin discovered a group of Latin American lantern slide images. Celia Maddox, then slide librarian at the School of Architecture, made copy negatives of seventy-two samples which she selected for good and bad qualities to test her procedures. She enlarged and cropped some slides to test for quality of definition. Gorin made a few test prints from this group of negatives.

There are two rolls of 36-35mm negatives, and although the inventory is listed in alphabetical order, the negatives are stored in numerical film sequence. Following the description of each entry is the roll and negative numbers. Description of each image is kept close to the slide's label should one wish to retrive a slide; in some cases the description has been expanded. Robert Boulanger, Hachette World Guides, Mexico, Paris: Hachette, 1968, was a reference.

656/N-1/P-0 Amatitán, Jalisco, Mexico: Victory stone. 1/Neg. 2A
657/N-1/P-0 Amecameca, Mexico, Mexico: Chapel of Sacre Monte. 1/Neg. 3A
658/N-1/P-0 Celaya, Guanajuato, Mexico: Nuestra Señora del Carmen Dome by Francisco Eduardo Tresguerras, architect, painter, sculptor, born in Celaya in 1759. 1/Neg. 4A
659/N-1/P-0 Celaya: San Francisco church, view showing the facade, dome, and chapel. The church facade, two towers, and high-altar were altered by Tresguerras. 1/Neg. 5A
660/N-1/P-0 Colón, Panama (?): DeLesseps House. 1/Neg. 29A
661/N-1/P-0 Colón, Panama (?): Main St. and harbor. 1/Neg. 18A
662/N-1/P-0 Córdoba, Veracruz, Mexico: Cathedral. 1/Neg. 28A
663/N-1/P-1 Cuernavaca, Morelos, Mexico: Aqueduct. 2/Neg. 25
664/N-1/P-0 Cuernavaca: Aztec corncrib. 2/Neg 23
665/N-2/P-1 Cuernavaca: Cathedral, view of the building showing the dome and view showing the building in relation to the arched entry gate. 1/Neg. 6A, 2/Neg. 24
666/N-1/P-0 Cuernavaca: Palace of Cortez, label on the slide: now state capitol. 1/Neg. 7A
667/N-1/P-0 Cuernavaca: Picturesque house. 2/Neg. 26
668/N-1-P-0 Guadalajara, Jalisco, Mexico: Cathedral and plaza. 2/Neg. 20
669/N-1/P-0 Guadalajara: State House. 2/Neg. 20A
670/N-1/P-0 Guadalajara: Portals or arcade. 2/Neg. 22
671/N-1/P-1 Guadelupe, Zacatecas, Mexico: Church of monastery of Nuestra Señora de Guadalupe, facade, fine Churrigueresque doorway between two towers, consecrated in 1721. 2/Neg. 19
672/N-1/P-1 Guanajuato, Guanjuato, Mexico: Catacombs. 2/Neg. 12
673/N-1/P-0 Guanajuato: Juarez Theater. 2/Neg. 15
674/N-1/P-0 Guanajuato: Presa de la Olla. 2/Neg. 16
675/N-1/P-0 Guanajuato: Plaza. 2/Neg. 13
676/N-1/P-0 Guanajuato: Urban view infront of the parish church. 2/Neg. 14
677/N-1/P-0 Havana, Cuba: Bullring. 1/Neg. 19A
678/N-1/P-0 Havana: Cathedral. 1/Neg. 23A
679/N-1/P-0 Havana: Colón Cemetery, Fireman's Monument. 1/Neg. 25A
680/N-1/P-0 Havana: Monserrate St. 1/Neg. 24A
681/N-1/P-0 Havana: Morro Castle. 1/Neg. 21A
682/N-1/P-0 Havana: Morro Castle, rear entrance. 1/Neg. 22A
683/N-1/P-0 Havana: Morro Castle, view of the roof. 1/Neg. 1A
684/N-1/P-0 Havana: Private residence on the Prado. 1/Neg. 20A
685/N-1/P-1 Mexico: Worker gathering sap from a maguay plant (to make pulque, a fermented drink). 2/Neg. 35
686/N-1/P-0 Mexico: Detail view of the sap gathering process from the maguey plant. 2/Neg. 36
687/N-1/P-1 Mexico: Interior view of a third class railroad car. 2/Neg. 33
688/N-1/P-0 Mexico: Vernacular thatch houses. 2/Neg. 34
689/N-1/P-0 Mexico City: Palace on Avenida Hidalgo, ca. 1788. 2/Neg. 9
690/N-1/P-0 Mexico City: Private residence of President Diaz. 2/Neg. 10
691/N-1/P-0 Mexico City: Remains of an aquaduct. 2/Neg. 3
692/N-1/P-1 Mexico City: Stairway near the Basílica de Guadalupe. 2/Neg. 17
693/N-1/P-1 Mexico City: Stone sails near the Basílica de Guadalupe. 2/Neg. 18
694/N-1/P-1 Mexico City: Townhouse, ca. 1780, at No. 85 Avenida Hidalgo. (?)
695/N-1/P-0 Mexico City, Coyoacán: Ruins in the pedregal where Montezuma lived. 2/Neg. 8
696/N-1/P-0 Mexico City, Ixtapalapa: Vernacular adobe house. 2/Neg. 11
697/N-1/P-1 Mitla, Oaxaca, Mexico: Ruins through a doorway (two native women and a child standing by a doorway). 2/Neg. 4
698/N-1/P-0 Oaxaca, Oaxaca, Mexico: Church of La Purísima Concepcion, facade view. 2/Neg. 7
699/N-1/P-0 Oaxaca: Church of La Soledad, interior view. 2/Neg. 6
700/N-1/P-0 Pachuca: Group of peons. 2/Neg. 36A
701/N-1/P-0 Panamá, Panama: Central Ave. 1/Neg. 30A
702/N-1/P-0 Panamá: Cathedral, view of facade and tower. 1/Neg. 34A
703/N-1/P-0 Panamá: Boats selling native products, waterfront. 1/Neg. 33A
704/N-1/P-0 Panamá: Entrance to the Fort, Porto Bello. 1/Neg. 32A
705/N-1/P-0 Panamá: Las Bobedas Fort. 1/Neg. 27A
706/N-1/P-0 Puebla, Puebla, Mexico: Cathedral, view of the facade and one tower. 1/Neg. 15A
707/N-1/P-0 Puebla: Cathedral, view of two facade towers. 1/Neg. 16A
708/N-1/P-0 Puebla: House on Avendia 4 oriente. 1/Neg. 17A
709/N-1/P-0 Puebla: Main street and harbor. 1/Neg. 18A
710/N-1/P-0 Puerto Rico: Garita del Diablo (haunted watchtower), St. Cristobal Fort. 1/Neg. 36A
711/N-1/P-0 Querétaro, Querétaro, Mexico: Chapel on the Hill of the Bells. 1/Neg. 14A
712/N-1/P-0 San Angel (?): Convent of Carmen, view of interior stair. 1/Neg. 11A
713/N-1/P-0 San Angel (?): Church of Carmen, view of the domes. 1/Neg. 12A
714/N-1/P-0 San Angel (?): Church of Carmen, view of the belfry. 1/Neg. 13A
715/N-1/P-0 San Juan, Puerto Rico (?): El Morro, entrance to the harbor. 1/Neg. 31A
716/N-1/P-0 San Juan: Harbor, view of the sea wall and Government Palace. 1/Neg. no number but after 36A
717/N-1/P-0 San Juan: Sentry tower, Fort St. Cristobal. 1/Neg. 35A
718/N-1/P-0 Santa Anna (village on the Viga Canal), Mexico: Vernacular architecture. 2/Neg. 2
719/N-1/P-0 Taxco, Guerrero, Mexico: Parish church of Santa Prisca, built from 1748 to 1758. 1/Neg. 10A
720/N-1/P-1 Xochicalco, Morelos, Mexico: Pyramid of the Plumed Serpents, unidentified man in front of the structure showing the massive stone carved wall. 2/Neg. 27
721/N-1/P-1 Xochicalco: View of the ruins, before restoration. 2/Neg. 28
722/N-1/P-0 Xochicalco: View showing remains of a stairway. 2/Neg. 29
723/N-1/P-0 Xochicalco: View showing the condition of the structure. 2/Neg. 30
724/N-1/P-1 Xochicalco: Detail view of stone carvings on a building wall. 2/Neg. 31
725/N-1/P-0 Xochicalco: Detail corner view of a building showing stone carvings. 2/Neg. 32
726/N-1/P-0 Xochicalco: Column base at the entrance. 1/Neg. 8A
727/N-1/P-0 Zacatecas, Zacatecas, Mexico: Cathedral, one of finest specimens of Churriguesque architecture in Mexico, built between 1730 and 1760. 1/Neg. 9A
728/N-1/P-1 Unidentified location: Native types, soldiers (group of about fifteen men posing for a picture). 2/Neg. 5

Box No. 19 Latin American Photographic Archive, Lantern Slides (N-15/P-05)
Copy negatives

729/N-2L/P-2 El Paso Valle, Mexico: Villagers in daily activities at a nearby lake; place name is inscribed on the original image.
730/N-10L/P-1 Central Mexico: According to Victoria Bricker, Ph.D., Professor of Anthropology, Tulane University, these group pictures in costumes, body paint and rag-tag dress, represent French soldiers (the French Grenadier). The group picture is probably a representation of French soldiers reinacting a battle from the period of Maximilian (French intervention in Mexico, 1862-1866), view 1.
731/N-2L/P-1 Central Mexico: costumed soldiers, view 2.
732/N-1L/P-1 Central Mexico: costumed soldiers, view 3.

Box No. 19 Latin American Photographic Archive, Vintage Photographs from the Ernest L. Crandall Collection (N-17/P-06)
Copy negatives

733/N-4L/P-1 Chichén Itzá, Yucatán, Mexico: Observatory. Ernest L. Crandall, photographer for the Carnegie Institute expeditions to Middle America, 1924-1927.
734/N-2L/P-1 Labna, Yucatán, Mexico: Arch. Teobert Maler (1843-1919), photographer; image made late 19th century.
735/N-2L/P-1 Labna: Palace. T. Maler, photographer; image made late 19th century.
736/N-2L/P-2 Palenque, Yucatán, Mexico: Principal Palace, central edifice which separates the eastern and western court, eastern facade. T. Maler, photographer; image made late 19th century.
737/N-2L/P-1 Mexico: Portrait, a young girl child wearing a native blouse by Crandall.
738/N-2L/P-0 Mexico: Portrait, a young lady wearing a native blouse by Crandall.
739/N-3L/P-0 Unidentified location: Alley of trees (unidentified).

Box No. 19 Latin American Photographic Archive, Abrahan Guillén or Emilio Harth-terré Collections (N-10/P-02)
Copy negatives

740/N-1L/P-0 Lima, Lima, Peru: Cathedral, main facade (begun in 1598, completed in early 19th century). Harth-terré Collection. Neg. 12
741/N-1/P-1 Peru: Sophy E. Schofield (Mrs. Harth-terré), Gene Savoy (explorer and journalist), Emilio Harth-terré on an Andean road. See Gene Savoy, Antisuyo, The Search for the Lost Cities of the Amazon, NY: Simon and Schuster, 1970. Neg. 13
742/N-1L/P-0 Peru: Arco de Santa Ana, comemorating the Confederation between Peru and Bolivia 1836. Harth-terré Collection. Neg. 15
743/N-1L/P-0 Peru: Sample drawing, from a collection of colonial drawings in Harth-terré Collection. Neg. 16
744/N-1L/P-0 Peru: Unusual corner balcony and decorative portal. Neg. 17
745/N-3L/P-0 Peru: Monstrance, perhaps Guillén Collection. Negs. 11,18,19
746/N-1L/P-0 Peru: Musicians, perhaps Guillén Collection. Neg. 10
747/N-1L/P-0 Peru: Gathering of Andean villagers with church and mountain making a backdrop. Neg. 14

PHOTO ARCHIVE Portraits (N-15/P-03)
FLAT FILE
AA Gorin Coll.

748/N-7R/P-1 Otto Olivera, Ph.D. (USA, b. Cuba 1919): Portrait, Professor of Spanish, Tulane University. Portrait made in his study at his home, 6 Trianon Plaza, New Orleans, June 1979.
749/N-3R/P-2 Donald Robertson, Ph.D. (USA 1919-1984): Portrait, Professor of Art History, Tulane University; Portrait made on the occasion of his sixtieth birthday at his home, 7707 Plum Street, New Orleans, May 1979.
[749a, original print; 749b, copy print by Latin American Library.]
750/N-5R/P-0 Humberto Rodríguez-Camilloni (Peru b. 1945): Portrait, architectural historian. Photograph made in Covington, Louisiana, 1979.

P & S COLL. Latin American Photographic Archive, Stereographs (N-29/P-03)
Spanish American War Stereograph Collection 1898-1899
Identifying number on sleeve follows identification
Collection 39 (2)

751/N-4L/P-0 Cuba: Spanish American War Series, "A Cavalry Outpost at Santiago," stereograph, published by Montgomery Ward & Co., Chicago. No. 5
752/N-10L/P-1 Philippine Islands: "North Dakota Volunteers quartered in the Old Church at Paete, San Antonio, P.I.," stereograph, photographed and published by B. W. Kilburn, Littleton, N.H. See also Richard E. Ahlborn Collection of Filipino-Hispanic architecture and art printed by Gorin. Interior view of the nave. No. 6
753/N-3L/P-2 Philippine Islands: Santiago Apostal, Paete, Laguna, Luzon, interior view of the nave. Photograph copied from Alicia M.L. Coseteny, Spanish Churches in the Philippines, Quezon City: New Mercury Printing Press, 1972, plate 9.
754/N-4/P-0 Puerto Rico: Spanish American War Series, "Fortifications of San Juan, Puerto Rico," stereograph, published by Montgomery Ward & Co., Chicago. No. 7
755/N-8/P-0 Puerto Rico: Spanish American War Series, "Storming of the Hill at San Juan," stereograph, published by Montgomery Ward & Co., Chicago. No. 8

Box No. 20 Mexico, Various Dates

756 Chichen Itza: The Nunnery. 12/71
757 Chichen Itza: Chac-Mool Figure & Square Pillar of the Sanctuary-Temple of the Warriors. 12/71
758 Monte Alban: Unidentified View. 8/79
759 Palenque: Templo de la Cruz. 1/76
760 Palenque: Templo del Conde. 1/76
761 Palenque: View from La Torre, Templo del Conde & Grupo del Norte. 1/76
762 Palenque: View of East Wall of El Palacio. 1/76
763 Palenque: Patio Este, Sculptured Slabs. 1/76
764 Palenque: Patio de la Torre. 1/76
765 Palenque: El Palacio. 1/76
766 Palenque: Templo de las Inscripciones. 1/76
767 Tula: Frieze of Reliefs, Temple of Tlahuizcalpantecuhtli. 1/75
768 Tulum: Temple of the Frescos. 12/71
769 Uxmal: Quadrilateral of the Nunnery. 12/71
770 Xochicalco: Pyramid of the Plumed Serpents. 4/75
771 Xochicalco: Pyramid of the Plumed Serpents. 4/75
772 Xochicalco: Pyramid of the Plumed Serpents. 4/75
773 Xochicalco: Ball-Court. 4/75
774-776 Unidentified Location.

Box No. 20 Spain, May 1973

777 Córdoba: Rear of Mezquita.
778 Granada: Tower of the Ladies, Alhambra.